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THE TWILIGHT ZONE – Season 2: VFX Breakdown by Image Engine
Don't miss this VFX Breakdown by Image Engine about their giant creatures and environments work on the second season of THE TWILIGHT ZONE:
https://vimeo.com/469978358
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THE TWILIGHT ZONE – Season 2: VFX Breakdown by Digital Domain
Let's have a look at the variety of work made by Digital Domain on the second season of THE TWILIGHT ZONE:
https://www.youtube.com/watch?v=CPyydvIhDrw
© Vincent Frei –...
Sweet Tooth – Final Season: Matthew Bramante (Production VFX Supervisor), Rob...
Back in 2021, Matthew Bramante elaborated on the visual effects work on the first season of Sweet Tooth. Following that, he joined the Paper...
PERRY MASON: Mitchell Drain – VFX Supervisor – Digital Domain
In 2012, Mitchell Drain explained the work of Method Studios on THIS MEANS WAR. He then joined Shade VFX in 2015 and Digital Domain in 2018. He has worked on projects such as KONG: SKULL ISLAND, DOWNSIZING, WESTWORLD and THE TWILIGHT ZONE.
Werewolf by Night: Joe Farrell – Production VFX Supervisor
Back in 2013, Joe Farrell explained the work made by Scanline VFX on A Good Day to Die Hard. He then worked on The...
Tribes of Europa: Rick Sander – Overall VFX Supervisor
Rick Sander began his career in visual effects over 25 years ago. He has worked on many shows including How to Get Away with...
LONE SURVIVOR: Jesper Kjolsrud (VFX Supervisor) & Bernhard Kimbacher (Compositing Supervisor)...
In 2011, Jesper Kjolsrud had explained in details the work of Image Engine for THE THING. He then supervised the effects R.I.P.D.
As one of Image Engine’s longest serving crewmembers, Bernhard Kimbacher has contributed to many of the company’s projects, including DISTRICT 9; THE TWILIGHT SAGA: ECLIPSE; THE THING; BATTLESHIP and ELYSIUM. He joined Jesper on set in New Mexico as Plate Supervisor for LONE SURVIVOR and was also the Compositing Supervisor.
MAN OF STEEL: John “DJ” Desjardin – Production VFX Supervisor
John "DJ" Desjardin began his career in visual effects 20 years ago. He worked on projects like TIMECOP, BROKEN ARROW, RELIC or MISSION: IMPOSSIBLE II. He becomes Production VFX Supervisor on the two MATRIX sequels. Then he took care of the VFX for films such as like FANTASTIC FOUR, X-MEN: THE LAST STAND or THE KINGDOM. MAN OF STEEL is his third collaboration with director Zack Snyder.
MIRROR MIRROR: Sebastien Moreau – VFX Supervisor – Rodeo FX
Sebastien Moreau began his career in visual effects over 15 years ago. He worked in several studios such as Hybride, Weta or ILM and participated in projects such as MIMIC, STAR WARS EPISODE II, WAR OF THE WORLDS or THE LORD OF THE RINGS: THE RETURN OF THE KING. In 2006, he founded Rodeo FX with Mathieu Raynault and oversee the effects of movies like TERMINATOR SALVATION, SOURCE CODE or RED TAILS. In the following interview, he explains his second collaboration with director Tarsem.
UNDERWORLD AWAKENING: Jeff Campbell – VFX Supervisor – Spin VFX
Jeff Campbell returned to The Art of VFX to tell us about Spin VFX work for UNDERWORLD AWAKENING. He is joined by George Macri, VFX Producer, and Ahmed Shehata, CG Supervisor. They explain in detail their work on this film.