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Let's go for a trip to the North Pole with Weta Digital about their work on the Netflix movie, The Christmas Chronicles 2: https://www.youtube.com/watch?v=90MK1YQDL40 WANT TO...

In 2019, Martin Hill explained to us the work of Weta Digital on the final season of GAME OF THRONES. Today he talks to us with Nick Stein (Animation Supervisor), Thrain Shadbolt, Philip Leonhardt (VFX Supervisors) about their work on Netflix's tale, THE CHRISTMAS CHRONICLES 2.

Kurt Russell is back as Santa Claus in this trailer for THE CHRISTMAS CHRONICLES 2: https://www.youtube.com/watch?v=HVzBwSOcBaI The VFX are made by:Weta Digital (VFX Supervisors: Martin Hill...

Method Studios reveals the magic of Christmas and Santa Claus in this VFX Breakdown about their work on THE CHRISTMAS CHRONICLES: © Vincent Frei –...

Here is the trailer for THE CHRISTMAS CHRONICLES featuring Kurt Russell as Santa Claus: The VFX are made by: Method Studios Director: Clay Kaytis Release Date: 22 November...

Back in 2020, Thrain Shadbolt explained to us about the visual effects work done by Weta FX on The Christmas Chronicles 2. He then...

Andy Brown has been working in visual effects for 30 years. Before joining Method he worked at Animal Logic for 22 years during which he was VFX Supervisor on MOULIN ROUGE, HERO, HOUSE OF FLYING DAGGERS, WORLD TRADE CENTER, AUSTRALIA, SUCKER PUNCH, THE GREAT GATSBY, and THE GREAT WALL. Todd Sheridan Perry has been in visual effects and animation since 1992. After owning a small visual effect boutique in Venice, CA for nearly ten years, Todd has worked on projects including LORD OF THE RINGS: THE TWO TOWERS, CHRONICLES OF RIDDICK, 2012, THE MIST, and SPEED RACER. He has worked with Method as a CG Supervisor on AVENGERS: AGE OF ULTRON and DOCTOR STRANGE.

Jesper Kjolsrud began his career on the film THE BORROWERS. After working 10 years in London with MPC and Double Negative on films such as PITCH BLACK, STALINGRAD, THE CHRONICLES OF RIDDICK or 10,000 BC. In 2009, Jesper joined teams Image Engine in Vancouver. He will work on the films DISTRICT 9, GREEN ZONE or THE LOSERS. In the following interview, he talks about his work on THE THING.

Blair Clark began his career on the film GREMLINS, then joined ILM, where he met Phil Tippett. He will work especially YOUNG SHERLOCK HOLMES, WILLOW or INDIANA JONES AND THE LAST CRUSADE. For nearly 25 years he worked at Tippett Studio, he oversees the effects of such films as BLADE 2, HELLBOY or SPIDERWICK CHRONICLES.