hunger games mockingjay - search results

Rising Sun Pictures presents their VFX work on THE HUNGER GAMES - MOCKINGJAY PART 1: WANT TO KNOW MORE? Rising Sun Pictures: Dedicated page about X...

The Embassy have just released the VFX Breakdown about their work on THE HUNGER GAMES - MOCKINGJAY PART 2: © Vincent Frei – The Art...

Nice TV Spot for THE HUNGER GAMES - MOCKINGJAY PART 2: The VFX are made by: Double Negative (VFX Supervisor : Adrian de Wet) MPC (VFX Supervisor...

The Embassy have published this cool VFX Breakdown about their work on THE HUNGER GAMES - MOCKINGJAY Part 1: © Vincent Frei – The Art...

Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.

The final trailer of THE HUNGER GAMES: MOCKINGJAY - PART 1 is out with destructions and new VFX shots: The VFX are made by: Double Negative...

In 2020, Adrian de Wet and Eve Fizzinoglia talked to us about the visual effects on the first season of the See series. They...

In 2013, Martin Hill explained to us the work of Weta Digital on THE WOLVERINE. He then worked on FURIOUS SEVEN, THE HUNGER GAMES: MOCKINGJAY - PART 2, CENTRAL INTELLIGENCE, VALERIAN AND THE CITY OF A THOUSAND PLANETS and ANIMAL WORLD.

In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART 1 and 2.

In 2013, Bjoern Mayer explained to us the work of Pixomondo on OBLIVION. He then took care of the effects of projects such as THE HUNGER GAMES: MOCKINGJAY PART 1, MARCO POLO, TRUE DETECTIVE and THE SHANNARA CHRONICLES.