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NIGHT AT THE MUSEUM – SECRET OF THE TOMB: VFX breakdown...
MPC have just released this VFX breakdown about their work on NIGHT AT THE MUSEUM - SECRET OF THE TOMB:
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MPC: Dedicated...
NIGHT AT THE MUSEUM – SECRET OF THE TOMB: Before &...
Method Studios have published a serie of before & after pictures and a dedicated page about their work on NIGHT AT THE MUSEUM: SECRET...
Night at the Museum: Secret of the Tomb
Here is the final trailer for NIGHT AT THE MUSEUM: SECRET OF THE TOMB:
The VFX are made by:
MPC (VFX Supervisor : Greg Butler)
Digital Domain...
A MONSTER CALLS: Ferran Domenech – VFX Supervisor – MPC
In 2014, Ferran Domenech told us about the animation work of MPC on GODZILLA. He then worked on NIGHT AT THE MUSEUM: SECRET OF THE TOMB, THE LEGEND OF TARZAN and FANTASTIC BEASTS AND WHERE TO FIND THEM. He talks to us today about his work as a VFX Supervisor.
DOCTOR STRANGE: Chad Wiebe – VFX Supervisor – Method Studios
In 2013, Chad Wiebe explained to us about the work of Scanline VFX on MAN OF STEEL. He then worked at Method Studios on THOR: THE DARK WORLD, GRUDGE MATCH, NIGHT AT THE MUSEUM: SECRET OF THE TOMB and AVENGERS: AGE OF ULTRON.
SUICIDE SQUAD: Seth Maury – VFX Supervisor – MPC
In 2011, Seth Maury talked to us about the work of MPC on SHERLOCK HOLMES: A GAME OF SHADOWS. He then took care of the visual effects of MALEFICENT, NIGHT AT THE MUSEUM: SECRET OF THE TOMB and THE FINEST HOURS.
WandaVision: Ralph Maiers – VFX Supervisor – Mr. X
Ralph Maiers has been working in visual effects for over 25 years. He has worked on many shows including Night at the Museum: Secret...
VIEW Conference 2015
The 16th edition of VIEW Conference will happen this October. The Art of VFX is proud to be a media partner!
The VIEW conference team...
87th Oscars Best Visual Effects shortlist
Here is the shortlist for the 87th Oscars Best Visual Effects:
Captain America: The Winter Soldier
Dawn of the Planet of the Apes
Godzilla
Guardians of the Galaxy
The...
IMMORTALS: Danielle Plantec – VFX Supervisor – Scanline VFX
Danielle Plantec is in the VFX for over 16 years. She has worked in studios as Digital Domain, Sony Imageworks, or ESC. In 2004, Danielle joined Scanline VFX and worked on films like THE DAY AFTER TOMORROW, 300 or HEREAFTER. She received a VES Award for this film. In the following interview, she talks about her work on IMMORTALS.