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Come discover the work of Industrial Light & Magic on SOLO - A STAR WARS STORY explain by VFX Supervisor Julian Foddy in this...

Have a look at the creation of L3-37 from SOLO - A STAR WARS STORY explained by ILM VFX Supervisor Patrick Tubach, ILM Modeler...

The team of Industrial Light & Magic talk about the creation of the Millenium Falcon for SOLO - A STAR WARS STORY: WANT TO KNOW...

Have a look at the Train Heist sequence by Industrial Light & Magic for SOLO - A STAR WARS STORY: WANT TO KNOW MORE? ILM: Dedicated...

Industrial Light & Magic presents the Kessel Run sequence on SOLO - A STAR WARS STORY: WANT TO KNOW MORE? ILM: Dedicated page about SOLO -...

Come have a look at how Industrial Light & Magic created the Corellia Chase on SOLO - A STAR WARS STORY: WANT TO KNOW MORE? ILM:...

Come have a look at this VFX Breakdown by Hybride about their work on SOLO - A STAR WARS STORY: WANT TO KNOW MORE? Jospeh Kasparian...

Interesting making of by ABC about how the teams of Industrial Light & Magic created a space monster for SOLO - A STAR WARS...

In 2017, Joseph Kasparian had explained to us the work of Hybride on ROGUE ONE: A STAR WARS STORY. He then worked on ASSASSIN'S CREED, VALERIAN AND THE CITY OF A THOUSAND PLANETS, MOTHER! and STAR WARS: THE LAST JEDI. François Lambert began his career in the visual effects in 1994 at Hybride. He joined Industrial Light & Magic in 2003 and then returned to Hybride in 2017. He worked on many films such as STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST, STAR TREK, PACIFIC RIM and STAR WARS: THE LAST JEDI.

Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.