The team of Whiskytree talks about the creation of the wide shots of Tomorrowland city, the bioluminescent trees and the Paris launch sequence for TOMORROWLAND and their collaboration with Industrial Light & Magic.
In 2013, Bjoern Mayer explained to us the work of Pixomondo on OBLIVION. He then took care of the effects of projects such as THE HUNGER GAMES: MOCKINGJAY PART 1, MARCO POLO, TRUE DETECTIVE and THE SHANNARA CHRONICLES.
Enrik Pavdeja started his career in visual effects in 2009 at DNEG. He then worked at ILM before joining the Framestore team in 2019. He has worked on many films such as John Carter, Star Wars: The Force Awakens,...
Dennis Jones began his career in visual effects in London, working at Jim Henson's Creature Shop and Peerless Camera Company. He then joined Rising Sun Pictures in 2005 and worked on numerous films such as WATCHMEN, THE HUNGER GAMES, GRAVITY, X-MEN: DAYS OF FUTURE PAST and X-MEN: APOCALYPSE.
Michael Maher has been working for over 10 years as a graphic designer and concept artist on shows like Real Steel, Argo and Cosmos: A Spacetime Odyssey. Today he talks about his work as a VFX Supervisor on the...
Last year Glenn Melenhorst explained the work of Method Studios on TOMB RAIDER. He then worked on CHRISTOPHER ROBIN.
John Fragomeni, President of Mirada, has been with the studio since its inception in 2010 and oversees all aspects of the studio’s diverse portfolio and developing technology. Most notable of his feature film visual effects credits include the PIRATES OF THE CARIBBEAN franchise and TERMINATOR SALVATION, which he supervised while at Asylum. He has also worked on commercial projects for some of the biggest Fortune 500 companies - as a Director and as a VFX Supervisor - and served as Head of Visual Effects at Motion Theory (MTh).
Zach Tucker has supervised countless teams of artists and worked alongside world-class directors for films such as G-FORCE, THE SEEKER: THE DARK IS RISING, DEJA VU and APOCALYPTO. As a Visual Effects Supervisor at Mirada, he brings extensive technical expertise to high-profile feature film and advertising projects, including work for Expedia, Tide, Centrum, and a Super Bowl spot for Wrigley’s “5 Gum.” Tucker has also worked for Digital Domain and Asylum.
Christopher Townsend joined ILM in 1995. He stayed 11 years there and will work on projects such as CONGO, ARTIFICIAL INTELLIGENCE: AI, HULK and also the new STAR WARS trilogy. Since 2008, he is VFX supervisor and take care of movies such as JOURNEY TO THE CENTER OF THE EARTH, NINJA ASSASSIN or CAPTAIN AMERICA: THE FIRST AVENGER.
In 2022, Vincent Papaix discussed ILM's visual effects contributions to the Hawkeye series. Following that, he worked on projects like The Old Man, The Guardians of the Galaxy Holiday Special, Guardians of the Galaxy Vol. 3, and The Boys...
Last year, Jonathan Weber told us about the work of RISE on THE FATE OF THE FURIOUS. He then worked on RENEGADES and THE DARK TOWER.