In 2010, Sue Rowe had told us about his work on PRINCE OF PERSIA. She then moved on the most ambitious project to date at Cinesite: JOHN CARTER. In the following interview, Sue presents in detail her work of more than two years on this film.
In 2013, Wayne Brinton explained to us about the work of Modus FX on PARKER. he then worked on NOW YOU SEE ME and BEAUTY AND THE BEAST. Then he joined MPC to work on X-MEN: DAYS OF FUTURE PAST and CINDERELLA. In 2015, he joined Rodeo FX and worked on GAME OF THRONES and WARCRAFT.
Richard Baker began his career in visual effects as compositing artist. He worked on projects like THE HITCHHIKER'S GUIDE TO THE GALAXY, SUNSHINE, ANGELS & DEMONS or CLASH OF THE TITANS. He then got interested in the stereoscopy and joined Prime Focus World. There he take care of movies like FRANKENWEENIE, WORLD WAR Z or GRAVITY.
In 2013, Martin Hill explained to us the work of Weta Digital on THE WOLVERINE. He then worked on FURIOUS SEVEN, THE HUNGER GAMES: MOCKINGJAY - PART 2, CENTRAL INTELLIGENCE, VALERIAN AND THE CITY OF A THOUSAND PLANETS and ANIMAL WORLD.
Richard Hoover has more than 25 years of experience in visual effects. He started at Dream Quest Images and then worked for The Walt Disney Company and Sony Pictures Imageworks. He joined Framestore in 2015. As a VFX supervisor, he took care of the effects of films such as ARMAGEDDON, REIGN OF FIRE, SUPERMAN RETURNS and BEAUTY AND THE BEAST.
In 2014, Chris MacLean explained the work of Mr. X on POMPEII. He then worked on many projects such as CRIMSON PEAK, BEN-HUR, LEGION and THE STRAIN.
In 2018, Stephane Paris explained the work done by Cinesite on Ant-Man and The Wasp. He joins DNEG in 2019 and works on Wonder Woman 1984 and Jungle Cruise.
How did you and DNEG get involved on this show?
Tricia Mulgrew,...
Earlier this year, Pete Bebb explained the work of DNEG on Greyhound. He's back to talk about the crazy action sequences on the Paramount movie, Infinite:
How did you get involved on this show?
Paramount approached DNEG with the potential of working...
Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.
To kick off 2019, Bryan Hirota had explained in detail the work of Scanline VFX on Aquaman. He then worked on Gemini Man. Today he talks about the opportunity to bring to life the vision of Director Zack Snyder...