The Weta FX team with Chris White (VFX Supervisor) and Aidan Martin (Animation Supervisor) are back to talk about their work and especially about Pogo for the 3rd season of The Umbrella Academy.
You are back in the Umbrella Academy...
Joanna Davison started her career in visual effects in 2005 at Framestore. She joined the Weta FX team in 2011. She has worked on various shows such as Avatar, Iron Man 3, The Hobbit trilogy and The BFG.
Tim Walker...
In 2019, Guillaume Rocheron had explained the work of visual effects on Godzilla: King of the Monsters. He then worked on Ad Astra and 1917.
How did you get involved in this show?
I started, along with MPC's Art Director Leandre...
Back in 2013, Deak Ferrand explained his work on Jack The Giant Slayer. He then joined the Rodeo FX teams for their Los Angeles office. He works on a large number of shows such as Valerian and the City...
Chris Uyede has been working in visual effects for over 12 years. He has worked on a number of projects such as Guardians of the Galaxy, The Jungle Book, The Lion King and Sonic the Hedgehog.
What is your background?
Before...
Tommy Tran has over 25 years of experience in visual effects. He joined the FuseFX teams in 2013. He has worked on a wide range of shows and today he explains his work on the 3rd season of The...
In 2019, Pete Dionne explained the work made by MPC on Pokémon: Detective Pikachu. He then joined the teams of Method Studios in 2021 which became Framestore in the meantime.
Matthew Twyford has over 25 years of experience in visual...
Back in 2015, Tom Wood had explained the work done by Iloura's teams on Mad Max: Fury Road. He went on to work on The Last Witch Hunter, Allegiant and A Wrinkle in Time.
How did you get involved on...
Josephine Noh has been working in visual effects for about sixteen years. She has worked at many studios before joining FuseFX in 2015. She has worked on shows such as Mildred Pierce, Mr. Holmes, I Know This Much Is...
Ryan Cook has been working in visual effects for over 24 years. He started his career at ILM and then worked at DNEG before becoming an independent VFX Supervisor. His filmography includes films such as John Carter, War for...