Justin Mitchell has been working in visual effects for over 24 years. He joined Scanline VFX in 2008. His filmography includes various shows such as Battleship, Tomb Raider, Cosmos: Possible Worlds and The Nevers.
What is your background?
I started in...
Important Looking Pirates (ILP) is a visual effects and digital animation studio located in central Stockholm founded in 2007 by Niklas Jacobson, Yafei Wu, Carl Hermelin and Eric Hermelin. The studio has more than 200 artists and have worked...
Back in 2017, Jake Morrison explained the visual effects work on Thor: Ragnarok. He then worked on Jungle Cruise. He's back today to talk about Thor: Love and Thunder.
What was your feeling to be back in the Thor universe...
Stephen James started his career in visual effects in 2005 at DNEG. He went on to work at Digital Domain, Image Engine and Scanline VFX before returning to DNEG in 2013. He has worked on numerous projects such as...
Back in 2014, Craig Calvert had explained the visual effects work of Mr. X (now MPC) on Robocop. He went on to work on American Made, Roma, Creed II and Foundation.
Martin Hesselink started his career in visual effects over...
Dominic Hellier started his career in visual effects 19 years ago at Iloura which later became Method Studios and now Framestore. He has worked on many films such as Priest, Mad Max: Fury Road, Peter Rabbit 2: The Runaway...
Kevin Lingenfelser has been working in visual effects for almost 30 years. He has worked in many studios such as Cinesite, Digital Domain, FuriousFX and FuseFX. His filmography includes many projects such as Jack The Giant Slayer, Ender's Game,...
RISE | Visual Effects Studios was founded in 2007 by Sven Pannicke, Robert Pinnow, Markus Degen and Florian Gellinger in Berlin. The plan was to focus with a small, hand-picked team on GermanTV and feature film effects – but...
John Mangia has been working in visual effects for 17 years. He has worked at many studios such as Brainstorm Digital, Sony Pictures Imageworks and The Mill before becoming a freelance VFX Supervisor. He has handled visual effects for...
Back in 2013, Steve Preeg explained the work made by Digital Domain on Oblivion. He then worked on Gone Girl and Beauty and the Beast. In 2018, he joined MPC and worked on Cats.
How did you get involved in...