Back in 2019, Mark Russell discussed his VFX work on Triple Frontier. Following that, he contributed to the visual effects for Motherless Brooklyn, In The Heights, and The Time Traveler's Wife.
How did you get involved on this movie?
The producers...
In 2015, Ben Snow discussed ILM's involvement in Avengers: Age of Ultron with us. He later went on to work on films such as The Great Wall, Mother!, Godmothered, and Dungeons & Dragons: Honor Among Thieves.
What was your feeling...
Tobias Wolters started his journey in the world of visual effects nearly a decade ago. His portfolio includes work on projects like The Wilds, Midnight at the Pera Palace, and the inaugural season of The Rings of Power.
Max Serges...
In 2019, Eric Barba unveiled the visual effects process for Terminator: Dark Fate. Afterward, he contributed to The Killer. Now, he's discussing the VFX behind Alien: Romulus, the next installment in the cult classic series.
What was your feeling to...
Back in 2021, Scott Stokdyk covered the visual effects behind Finch. This time, he's here to delve into the live-action version of the acclaimed video game Borderlands.
How did you get involved on Borderlands?
I got a call during the end...
For over 25 years, Swen Gillberg has been a key figure in the world of visual effects, working on blockbuster films like Furious 7, Avengers: Infinity War, Free Guy, and The Gray Man.
With over 18 years in visual effects,...
Back in 2021, Jelmer Boskma discussed Scanline VFX's involvement in Eternals. He subsequently worked on Andor's first season and joined DNEG in 2022.
How did you and DNEG get involved in this series?
I joined the project after post-production had started,...
In 2018, Dan Macarin discussed Weta FX's involvement in Deadpool 2, and since then, he has contributed to various projects like Aquaman, Lady and the Tramp, The Suicide Squad, and Guardians of the Galaxy Vol. 3.
How did you and...
Matthew Twyford explained the visual effects work done by Framestore on Thor: Love and Thunder in 2022. Following that, he participated in the VFX work on Tár and Loki.
How did you and Framestore get involved on this show?
We had...
Back in 2019, John Heller discussed the visual effects crafted by FuseFX for season three of True Detective. He later contributed to The Good Doctor, Alienated and Winning Time.
Marjolaine Tremblay launched her visual effects career at ILM in 1994...