In 2018, Adrian de Wet explained his work on THE MEG. He's back today with the post-apocalyptic Apple TV+ series, SEE:
Eve Fizzinoglia began her career in visual effects in 2009 at Stargate Studios. She has worked on a many shows including CALIFORNICATION, HOUSE OF LIES, RAY DONOVAN and COLONY.
Dan Smiczek began his visual effects career in 2011 at Rhythm & Hues. After working in various studios, he joined Pixomondo in 2018. He has worked on a many shows including STAR TREK: DISCOVERY, MIDWAY and THE MANDALORIAN.
In 2018, Jonathan Weber explained the work of RISE on BLACK PANTHER. He then worked on films such as DUMBO, SHAZAM, AVENGERS: ENDGAME and FAST & FURIOUS PRESENTS: HOBBS & SHAW.
Jeremy Fernsler began his career in visual effects over 20 years ago. He joined DNEG in 2017. His filmography includes projects such as STAR TREK: DISCOVERY, THE DARK CRYSTAL: THE AGE OF RESISTANCE and RUNAWAYS.
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Jonathan Harris began his career in visual effects in 2006. He works in many studios such as Important Looking Pirates, DNEG, Weta Digital and in 2018, he founded his studio, Dupe. He has worked on films such as KICK-ASS, IRON MAN 2, MAN OF STEEL and AVENGERS: THE AGE OF ULTRON.
In 2013, Paddy Eason explained the work of Nviz on GRABBERS. He then worked on many films such as ROBOT OVERLORDS, ABSOLUTELY ANYTHING, KINGSMAN: THE GOLDEN CIRCLE and JESUS SHOWS YOU THE WAY TO THE HIGHWAY.
In 2019, Nhat Phong Tran told us about the work of Pixomondo on the second season of THE ORVILLE. He then worked on EUPHORIA.
A few months ago, Phi Van Le told us about his work on MIDWAY. He then worked on FOR ALL MANKIND and WATCHMEN.
In 2015, Marshall Krasser told us about Prime Focus World's work on MORTDECAI. He then worked at Psyop, CoSA VFX before joining FuseFX in 2018. He worked on many series such as THE MAN IN THE HIGH CASTLE, LUCIFER and THE 100.
James Etherington-Sparks began his career in visual effects nearly 20 years ago at Cinesite. He then worked in many studios like DNEG, The Mill before joining Union VFX in 2017. He has worked on many projects such as CAPTAIN AMERICA: THE FIRST AVENGER, TOTAL RECALL, MAN OF STEEL and DUNKIRK.
Thrain Shadbolt has been working in visual effects for over 16 years. He began his career at Cinesite before joining Weta Digital in 2008. He has worked on numerous projects such as V FOR VENDETTA, AVATAR, DAWN OF THE PLANET OF THE APES, RAMPAGE and THE UMBRELLA ACADEMY.
Dan Charbit started his career in visual effects more than 20 years ago in France and has worked in many Parisian studios such as Mac Guff Ligne. In 2013, he moved to Montreal and worked for Rodeo FX, FOLKS and MPC before joining DNEG in 2018. As a VFX Supervisor, he took care of the effects for shows like SHADOWHUNTERS, CATCH-22 and ALTERED CARBON - Season 2.
Barry Corcoran has been working in visual effects and motion graphics for over 10 years. He worked at Rushes and joined DNEG in 2018. He has worked on projects such as SPECTRE, DEADPOOL 2, VENOM and HOBBS & SHAW.