Robert Winter began his career in visual effects in 1997 at Sony Pictures Imageworks. He has worked on films such as STARSHIP TROOPERS, HOLLOW MAN, HANCOCK and ALICE IN WONDERLAND. He then joined MPC in 2014 and took care of effects for films such as SUICIDE SQUAD and GODZILLA: KING OF THE MONSTERS. In 2018, he joins Framestore and works on LADY AND THE TRAMP.
In 2017, Arslan Elver told us about the work of Framestore on GUARDIANS OF THE GALAXY VOL. 2 and then worked on CHRISTOPHER ROBIN.
Ten years ago, Ged Wright told us about the work of DNEG on IRON MAN 2. He then worked on many films such as ATTACK THE BLOCK, MAN OF STEEL, GODZILLA and ASSASSIN'S CREED.
In 2017, Richard Hoover explained the work of Framestore on BLADE RUNNER 2049. He won a Best Achievement in Visual Effects at the Academy Awards for this work. He then worked on DUMBO. Today he tells us about his work on 6 UNDERGROUND by Michael Bay.
In 2017, Axel Bonami explained the work of MPC on GHOST IN THE SHELL. Today he takes us to the bottom of the oceans to talk about UNDERWATER.
Last year, Raymond Chen explained the work of DNEG on ALITA: BATTLE ANGEL. Today he talks to us about the Disney+ film, TOGO.
At the end of last year, Jeff White explained ILM's work on AQUAMAN.
David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN.
In 2017, Alex Wang explained DNEG's work on THE FATE OF THE FURIOUS. He joins ILM in 2017 and works on JURASSIC WORLD: FALLEN KINGDOM.
Scott Benza is working at ILM for 22 years. He has worked on films such as TRANSFORMERS, THE AVENGERS, KONG: SKULL ISLAND, BUMBLEBEE.
In 2016, Aleksandar Pejic explained the work of Framestore on THE LEGEND OF TARZAN. He then joined Cinesite and worked on AVENGERS: INFINITY WAR and ROBIN HOOD.
Jabbar Raisani has been working in visual effects for over 17 years. He has worked on projects such as FANTASTIC FOUR, PREDATORS, MACHETE and GAME OF THRONES.
Terron Pratt began his career in VFX in 2003 at Digiscope. He has worked on numerous projects such as PUSHING DAISIES, SNOW WHITE AND THE HUNTSMAN, 300: RISE OF AN EMPIRE and BLACK SAILS.
What is your background?
Prior to working at Framestore I worked on the studio side in design, but I’ve worn a few hats over the years, from development through to marketing. I came to Framestore to produce visual effects on...
Last year, Christian Kaestner explained Framestore's work on CAPTAIN MARVEL. He then joined THE AERONAUTS.