In 2017, Alexis Wajsbrot explained the work of Framestore on THOR: RAGNAROK. He is back in the MCU with SPIDER-MAN: FAR FROM HOME.
Before blasting zombie heads for Jim Jarmush for THE DEAD DON'T DIE, Alex Hansson took care of the visual effects of movies such as CHAPPAQUIDDICK, BORG MCENROE and MONKY. He is the founder of the studio Haymaker.
Andreas Hylander has worked in visual effects for over twenty years. He has worked on many films like CENTURION, THE ZERO THEOREM, CHAPPAQUIDDICK and BORG MCENROE and he is the founder of Chimney Gothenburg.
In 2018, Alessandro Ongaro told us about the work of DNEG on ANT-MAN AND THE WASP. He explains today his work on MEN IN BLACK: INTERNATIONAL.
In 2015, Matt Kasmir explained the work of Nvizible work on KINGSMAN: THE SECRET SERVICE. He then took care of the effects of films like EDDIE THE EAGLE and LEAGUE OF GODS. After SUBURBICON, CATCH-22 is his second collaboration with director George Clooney.
Max Dennison has nearly 25 years of experience in visual effects. He has worked in many studios such as Weta Digital, ILM, Cinesite, Framestore and joined DNEG in 2013. He has worked on many films such as the LORD OF THE RINGS trilogy, THE GOLDEN COMPASS, OUTLANDER and KRYPTON.
In the past year, Mohsen Mousavi explained the work of Scanline VFX on THE MEG. He is back today to tell us about his work on the final season of GAME OF THRONES.
Loni Peristere is a TV series director (he won an Emmy Award) and is the co-founder of Zoic Studios. He has directed episodes for many series such as BANSHEE, OUTCAST, A SERIES OF UNFORTUNATE EVENTS and AMERICAN HORROR STORY.
Nathan Overstrom started his career in visual effects in 2004 at Zoic Studios. He works on many projects like TERMINATOR: THE SARAH CONNOR CHRONICLES, THE GREY, NOAH and HOLD THE DARK.
Spencer Cook has more than 28 years of experience in the field of animation. He has worked in many studios such as Digital Domain, Sony Pictures Imageworks, Framestore and MPC. He has worked on films like THE MATRIX RELOADED, THE MATRIX REVOLUTIONS, MEN IN BLACK 3 and BEAUTY AND THE BEAST.
In 2010, Holger Voss explained the work of Cinesite on HARRY POTTER AND THE DEATHLY HALLOW PART 1. He then worked on many films like JOHN CARTER, ROBOCOP and EDGE OF TOMORROW. As a VFX supervisor, he took care of the effects of films such as X-MEN: DAYS OF FUTURE PAST, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.
Daryl Sawchuk started his career in visual effects in 2006 at MPC and works on many films like 10,000 BC, SUCKER PUNCH, MAN OF STEEL and GODZILLA. In 2016, he joined Method Studios and worked on DOCTOR STRANGE, JUSTICE LEAGUE and BLACK PANTHER.