3 Body Problem - résultats de la recherche

At the beginning of the year, Kevin Souls, Brendan Seals and Raphael A. Pimentel had explained the work of Luma Pictures on BLACK PANTHER. Brendan and Raphael then worked on A WRINKLE IN TIME. They talk to us today about their work on the new Marvel movie, ANT-MAN AND THE WASP.

In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

Rob Bredow has worked in visual effects for almost 25 years. He worked at Sony Pictures Imageworks for 15 years before joining Lucasfilm in 2014 and then became SVP, Executive Creative Director and Head of ILM in 2018. He worked on many films such as STUART LITTLE, CAST AWAY, THE POLAR EXPRESS and MEN IN BLACK 3. Patrick Tubach began his career in visual effects in 1996 at Cinesite. He then joined Industrial Light & Magic in 1999. He worked on many films such as ARMAGEDDON, JURASSIC PARK III, the first three films PIRATES OF THE CARIBBEAN and TRANSFORMERS. As a VFX supervisor, he took care of the effects of films like STAR TREK: INTO DARKNESS, TRANSFORMERS: AGE OF EXTINCTION and STAR WARS: THE FORCE AWAKENS. Matt Shumway worked for 10 years at Rhythm & Hues before joining ILM in 2013. He has worked on films such as THE GOLDEN COMPASS, LIFE OF PI, THE REVENANT and STAR WARS: THE LAST JEDI.

Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

Paul Story began his career in visual effects in 1996 at Weta Digital. He works on many films such as THE LORD OF THE RINGS trilogy, AVATAR, DAWN OF THE PLANET OF THE APES and THE JUNGLE BOOK.

Graham Page began his visual effects career in 2006 at DNEG. He has worked on many projects such as THE DARK KNIGHT, INCEPTION, INTERSTELLAR and ASSASSIN'S CREED.

In 2016, Dan DeLeeuw explained his work on CAPTAIN AMERICA: CIVIL WAR. Today, he tells us about the challenges on the epic new AVENGERS film.

In 2014, Scott Farrar explained the ILM's work on TRANSFORMERS: AGE OF EXTINCTION. He then took care of the effects of films like SELMA, 13 HOURS and TRANSFORMERS: THE LAST KNIGHT. Last year, Rick O'Connor told us about the animation work on TRANSFORMERS: THE LAST KNIGHT.

Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.

Tadao Matsuno has been working in visual effects for almost 20 years. He has worked on films such as CHARLIE'S ANGELS, PINGPONG, VEXILLE and TOMORROW'S JOE. He has been working at Oxybot since 2004.