Life dneg - résultats de la recherche

In 2017, Christopher Townsend explained his work on GUARDIANS OF THE GALAXY VOL.2. He talks to us today about his fifth film in the Marvel Cinematic Universe, CAPTAIN MARVEL.

In 2014, Eric Saindon explained the work of Weta Digital on THE HOBBIT: THE DESOLATION OF SMAUG. He then took care of the effects of THE HOBBIT: THE BATTLE OF THE FIVE ARMIES, PETE'S DRAGON and A GHOST STORY. Mike Cozens told us about his work on THE HOBBIT: THE BATTLE OF THE FIVE ARMIES in 2015. He then worked on MAZE RUNNER: THE SCORCH TRIALS.

Romain Arnoux has more than 20 years of experience in visual effects. He has worked in many studios like Mac Guff Line, DNEG, Weta Digital, MELS and joined Framestore in 2017. He has worked on many films such as AVATAR, THE ADVENTURES OF TINTIN, JOHN CARTER and RACE.

In 2016, Jeff White explained the work of ILM on WARCRAFT. He then worked on KONG: SKULL ISLAND. Cedric Lo began his career in visual effects in the early 2000s. He worked on many films such as TRANSFORMERS: DARK OF THE MOON, PACIFIC RIM, CAPTAIN AMERICA: CIVIL WAR and WARCRAFT.

In 2016, Tim Burke and Christian Manz told us in detail about their work on FANTASTIC BEASTS AND WHERE TO FIND THEM. They are now back to tell us more about THE CRIMES OF GRINDELWALD.

In 2010, Adrian de Wet explained the work of DNEG on THE SORCERER'S APPRENTICE. He then worked on THE TREE OF LIFE, TOTAL RECALL, THE HUNGER GAMES: CATCHING FIRE, THE HUNGER GAMES: MOCKINGJAY - PART 1 and 2.

In 2017, Jelmer Boskma explained the work of Scanline VFX on GUARDIANS OF THE GALAXY VOL. 2. He talks to us today about his work on ANT-MAN AND THE WASP.

In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

Dan Glass has 25 years of experience in visual effects. As a VFX supervisor, he took care of the effects of many movies like THE MATRIX sequels, V FOR VENDETTA, THE TREE OF LIFE and JUPITER ASCENDING.