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In 2014, Eric Saindon explained the work of Weta Digital on THE HOBBIT: THE DESOLATION OF SMAUG. He then took care of the effects of THE HOBBIT: THE BATTLE OF THE FIVE ARMIES, PETE'S DRAGON and A GHOST STORY. Mike Cozens told us about his work on THE HOBBIT: THE BATTLE OF THE FIVE ARMIES in 2015. He then worked on MAZE RUNNER: THE SCORCH TRIALS.

In 2013, Matt Johnson explained the work of Cinesite on WORLD WAR Z. He then took care of the effects of films like JACK RYAN: SHADOW RECRUIT, INTO THE WOODS and NOW YOU SEE ME 2.

With over 25 years of experience, Josh Simmonds has worked on many films such as AUSTRALIA, DON'T BE AFRAID OF THE DARK, HAPPY FEET TWO and MAD MAX: FURY ROAD. As a VFX supervisor, he took care of the effects of films like THE BOY, UNDERWORLD: BLOOD WARS, A-X-L and THE BALLAD OF BUSTER SCRUGGS. Craig Wentworth started his career in visual effects in 1995. He has worked in many studios such as Weta Digital, Dreamworks Animation and Sony Pictures Imageworks before joining Method Studios in 2017. He has worked on many films like THE LORD OF THE RINGS: THE RETURN OF THE KING, WATCHMEN, EDGE OF TOMORROW and GUARDIANS OF THE GALAXY.

The Visual Effects Society have just announced the nominees for the The nominations for the 17th Annual VES Awards! Outstanding Visual Effects in a Photoreal...

Bryan Hirota told us about the work of Scanline VFX on BATMAN V SUPERMAN: DAWN OF JUSTICE in 2016. He then worked on THE PROMISE and JUSTICE LEAGUE.

The team of Weta Digital (composed of VFX Supervisors Ken McGaugh, Kevin Smith, Luke Millar and Animation Supervisor Dennis Yoo) talk in detail about their work and the challenges on MORTAL ENGINES.

In 2013, Martyn Culpitt explained the work of Image Engine on WHITE HOUSE DOWN. He then worked on many films such as THE WOLVERINE, JURASSIC WORLD, FANTASTIC BEASTS AND WHERE TO FIND THEM, LOGAN and THE MEG.

A few months ago, Nikos Kalaitzidis explained the work of Digital Domain on ANT-MAN AND THE WASP. He talks to us today about his work on SHADOW.

Matt Sloan began his career in visual effects in the early 2000s. He has worked on many projects such as DISTRICT 9, AVATAR, THE MARTIAN and MAZE RUNNER: THE DEATH CURE.

In 2016, Russell Earl explained the work of ILM on CAPTAIN AMERICA: CIVIL WAR. He then worked on VIRAL and THE CLOVERFIELD PARADOX. Today, he returns to the MCU with AVENGERS: INFINITY WAR.