The Great Wall - résultats de la recherche
Si les résultats ne sont pas satisfaisants, veuillez effectuer une autre recherche
BEAUTY AND THE BEAST: Kyle McCulloch – VFX Supervisor – Framestore
In 2014, Kyle McCulloch had explained to us the work of Framestore on GUARDIANS OF THE GALAXY. He then took care of the visual effects of PAN.
THE LOST CITY OF Z: Eran Dinur – Overall VFX Supervisor...
Prior to joining Brainstorm Digital in 2010. Eran Dinur worked at Framestore and Industrial Light & Magic. At Brainstorm Digital, he took care of the effects of BOARDWALK EMPIRE, THE IMMIGRANT, THE WOLF OF WALL STREET, CAFE SOCIETY and NERVE. He has just released his book The Filmmaker's Guide to Visual Effects.
KONG – SKULL ISLAND: Philippe Theroux – VFX Supervisor – Hybride
At the beginning of the year, Philippe Theroux explained to us the work of Hybride on ARRIVAL. He then took care of the effects of DEEPWATER HORIZON, THE GREAT WALL and ROGUE ONE: A STAR WARS STORY.
GHOST IN THE SHELL: Axel Bonami – VFX Supervisor – MPC
Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.
Best of 2016 and the expectations for 2017
This month of February marks a new year for The Art of VFX and is also the Awards season.
The last year was rich of...
ARRIVAL: Philippe Théroux (VFX Supervisor) & Nicolas-Alexandre Noël (CG supervisor) –...
In 2015, Philippe Théroux spoke to us about Hybride's work on UNBROKEN. He then took care of the effects of TOMORROWLAND, JURASSIC WORLD, STAR WARS: THE FORCE AWAKENS and WARCRAFT.
Nicolas-Alexandre Noël has been working at Hybride for nearly 10 years. He has worked on numerous projects such as AVATAR, PACIFIC RIM, STAR WARS: THE FORCE AWAKENS and WARCRAFT.
ALICE THROUGH THE LOOKING GLASS: Jay Redd – VFX Supervisor –...
Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.
THE LAST WITCH HUNTER: Nicholas Brooks – Production VFX Supervisor
Nicholas Brooks have started his career in the VFX at Computer Film Company in London in 1989 and have worked on many various projects such as WHAT DREAMS MAY COME, BLADE II, NOW YOU SEE ME or LUCY.
THE LAST WITCH HUNTER: Ara Khanikian – VFX Supervisor – Rodeo...
In 2013, VFX Supervisor Ara Khanikian had explained in detail the work of Rodeo FX on NOW YOU SEE ME. He then worked on many projects and oversaw the visual effects of BIRDMAN and TOMORROWLAND. He now talks about THE LAST WITCH HUNTER, which marks the third Rodeo FX collaboration with Nick Brooks.
THE MARTIAN: Richard Stammers – Production VFX Supervisor
In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.