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Interviews of the Week #22
X-MEN - DAYS OF FUTURE PAST: Benoit Dubuc - Animation Supervisor - MPC
Benoit Dubuc began his career in 2001. He has worked at several...
Interviews and Book Review of the Week #21
GODZILLA: Jim Rygiel – Production VFX Supervisor
Jim Rygiel began his career in VFX in 1980 at Pacific Electric Pictures. Then he joined Boss...
300 – RISE OF AN EMPIRE: Charley Henley (VFX Supervisor) with...
In 2012, Charley Henley had told us about the work of MPC on TOTAL RECALL and PROMETHEUS. Last year, he worked again with director Ridley Scott for THE COUNSELOR. He now explains his work on the sequel of 300.
Look back on 2013 and the expectations of 2014
For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.
MAN OF STEEL: Guillaume Rocheron – VFX Supervisor – MPC
Just before Christmas 2012, Guillaume Rocheron had explained to us his work on LIFE OF PI. Now he talks about the visual effects of MPC on MAN OF STEEL.
OZ THE GREAT AND POWERFUL: Scott Stokdyk – Senior VFX Supervisor...
Scott Stokdyk starts working in visual effects more than 17 years ago. He has worked on such films as BROKEN ARROW, THE FIFTH ELEMENT, TITANIC or GODZILLA. He then worked on the SPIDER-MAN trilogy of director Sam Raimi and win an Oscar for Best Visual Effects for SPIDER-MAN 2. OZ THE GREAT AND POWERFUL is its fourth collaboration with Sam Raimi.
BATTLESHIP: Grady Cofer – VFX Supervisor – ILM
Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.
IMMORTALS: Jay Randall – VFX Supervisor & Founder – BarXseven
Jay Randall started his career in 1997 working on GODZILLA. He then worked on films like THE FIFTH ELEMENT, PEARL HARBOR or TITANIC. In 2005, he founded the studio BarXseven in Montreal and work as a VFX supervisor on films like TRANSPORTER 2 or STRANGER THAN FICTION. In the following interview, he talks about his work on IMMORTALS.
GREEN LANTERN: Karen Goulekas – Production VFX Supervisor
Karen Goulekas has over 25 years of experience in visual effects. She has worked in many studios such as Boss Film or Digital Domain. She has worked on such films as TRUE LIES, THE FIFTH ELEMENT or TITANIC. In 1998, she seized the opportunity to be Production VFX Supervisor on GODZILLA. She has since overseen the effects of movies like THE DAY AFTER TOMORROW or 10,000 BC.