Life dneg - résultats de la recherche

Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.

Andrew Whitehurst began his visual effects career at Electric Image in 1998. He joined Framestore in 2003. He works on films like LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE, TROY and CHARLIE AND THE CHOCOLATE FACTORY. He then joined Double Negative in 2005 and works on projects such as HARRY POTTER AND THE ORDER OF THE PHOENIX, HELLBOY II: THE GOLDEN ARMY, THE WOLFMAN and SKYFALL. As a VFX Supervisor, he took care of the effects of films like EX MACHINA and SPECTRE.

Last September, Stuart Lashley explained the work of Double Negative on BABY DRIVER. He totally changes of universes today with THOR: RAGNAROK.

John Nelson supervised the visual effects of more than 20 movies such as IN THE LINE OF FIRE, THE MATRIX RELOADED, I ROBOT and IRON MAN. He won an Academy Award for Best Achievement in Visual Effects for GLADIATOR.

Karen Murphy began her career in the visual effects almost 25 years ago. She has produced the effects of many films such as TITANIC, WILD WILD WEST, HUGO and FURIOUS 7.

Darren Poe has more than 20 years of experience in visual effects. He worked at Digital Domain, Weta Digital, Scanline VFX and then joined Double Negative in 2016. He has worked on many films such as FIGHT CLUB, STAR TREK, TRON: LEGACY and THE AVENGERS.

Last year, Alex Wang explained to us about the work of Digital Domain on DEADPOOL. He then joined the teams of Double Negative and talks about his work on THE FATE OF THE FURIOUS.

Tom Proctor began his career as a compositor on THE MATRIX at Manex Visual Effects. He worked in many studios such as Weta Digital, Evil Eye Pictures or Rising Sun Pictures before joining Double Negative in 2010.

This month of February marks a new year for The Art of VFX and is also the Awards season. The last year was rich of...

In 2015, Christian Irles explained in detail about the work of MPC on INTO THE WOODS. He then took care of the visual effects of PAN and MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN. He joined Cinesite in 2016 and worked on ASSASSIN'S CREED.