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IRON MAN 2: Danny Yount – Creative Director – Prologue Films
Danny Yount started as an self-taught designer and creates film credits in Prologue Films for projects such as IRON MAN or ROCKnROLLA. In the following interview, he talks about his work on IRON MAN 2.
HOW TO TRAIN YOUR DRAGON: Simon Otto – Head of character...
After banking studies in Switzerland, Simon Otto pass through Les Gobelins animation school before being hired by Dreamworks Animation. It was In 1997 and since Simon has not left Dreamworks and worked almost all projects in the studio as THE PRINCE OF EGYPT, SPIRIT, SINBAD, FLUSHED AWAY as a animator and lead animator. He recently completed HOW TO TRAIN YOUR DRAGON on which he was head of character animation.
KICK ASS: Mattias Lindahl – VFX Supervisor – Double Negative
Coming from Sweden, Mattias Lindahl began his career at Lego, then he left for London where he worked at Jim Henson's Creature Shop and at Double Negative in 2001. After nearly 10 years at Double Negative, he returned to Sweden this year and works at Fido. In the following interview, he talks about his work on KICK ASS.
AVATAR: Interview Neil Huxley – Art Director – Prime Focus
Neil Huxley has worked more than 5 years at Digital Pictures Iloura as Flame operator before coming to the United States where he worked as art director on movies such as GAMER or WATCHMEN at yU+co. It's him that create the beautiful opening title sequence of this show. In 2009, he joined Prime Focus. In the following interview, he talks about his work on AVATAR.
OCEANS: Arno Fouquet – VFX Supervisor – L’E.S.T.
Arno Fouquet and Christian Guillon from L'E.S.T. were responsible for general visual effects supervision on OCEANS, the new documentary feature by Jacques Perrin. The visual effects were dispatched between BUF, Mikros Image and Def2Shoot. In the following interview, Arno Fouquet talks about L'E.S.T. and his work on OCEANS.
GREEN ZONE: Charlie Noble – VFX Supervisor – Double Negative
Charlie Noble works in visual effects for over 15 years. He joined Double Negative at its beginnings in working on PITCH BLACK. He will participate by result in numerous projects from studios like ENEMY AT THE GATES, FLYBOYS or THE DARK KNIGHT. He has also supervised THE BOURNE ULTIMATUM directed by Paul Greengrass, that he meet again on GREEN ZONE.
PERCY JACKSON AND THE OLYMPIANS: THE LIGHTNING THIEF: Guillaume Rocheron –...
Guillaume Rocheron begins his career at BUF in 2000. Having worked on films such as PANIC ROOM, ALEXANDER and BATMAN BEGINS, he left to join the teams of MPC in London. He worked on SUNSHINE, 10'000 BC or HARRY POTTER AND THE HALF BLOOD . In 2009, he moved to MPC Vancouver to work on PERCY JACKSON.
AVATAR: Daniel Leduc – VP & Visual Effects Supervisor – Hybride
Daniel Leduc is a true pioneer in the visual effects in Canada, he founded with 3 other partners the company Hybride that has achieved the effects of many films such as the SPY KIDS trilogy, SIN CITY, 300 or JOURNEY TO THE CENTER OF THE EARTH. They just completed AVATAR.
DAYBREAKERS: James Rogers – VFX Supervisor – Postmodern
James Rogers works in the world of the Australian visual effects for over 15 years. After a journey by Square USA, where he worked on FINAL FANTASY, he then worked as VFX supervisor on ANIMATRIX: THE FINAL FLIGHT OF OSIRIS. He joined Postmodern in 2003 where he supervise the visual effects of many commercials and movies such as DAYBREAKERS, AUSTRALIA and KNOWING. James Rogers talks to us about his work on DAYBREAKERS.
LEGION: Jeff Campbell – VFX Supervisor – Spin VFX
Jeff Campbell has evolved in visual effects for 17 years as an animator, compositor, and VFX Supervisor. He has added his unique artistic vision to the benefit of numerous feature film projects such as FIGHT CLUB, X-MEN and THE CELL. He join Spin in 2003. His most recent VFX Supervisor credits include, 20th Century Fox’s “MAX PAYNE” and now Sony Screen Gems “LEGION”. He talks about his work on LEGION and the challenge that were the wings of the Angels.