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JESSICA JONES – Season 2
Brand new trailer for the second season of JESSICA JONES:
The VFX are made by:
Shade VFX
Release Date: March 8, 2018 (Netflix)
© Vincent Frei –...
BAFTA 2018: The Special Visual Effects winner
And the winner for the Special Visual Effects for the BAFTA 2018 is...
BLADE RUNNER 2049: Richard R. Hoover, Paul Lambert, Gerd Nefzer, John Nelson
Blade...
MONSTER.COM « Opportunity Roars »: Making of by The Mill
Have a look at this making of by The Mill about their work on this MONSTER.COM commercial:
WANT TO KNOW MORE?
The Mill: Dedicated page about...
I, TONYA: Juliet Tierney – VFX Producer – Eight VFX
Juliet Tierney has been working in production since 1996. She has worked for many agencies and studios such as McCann-Erickson, Mother or MPC. She joined Eight VFX in 2016.
Iloura is now Method Studios
The two studios Iloura and Method Studios have joined their forces to become Method Studios!
Here is the press release:
Award-Winning Australian VFX & Animation Company...
THE CLOVERFIELD PARADOX
Here is the trailer for THE CLOVERFIELD PARADOX:
The VFX are made by:
Industrial Light & Magic
Base FX
Atomic Fiction (VFX Supervisor: Ryan Tudhope)
The Production VFX Supervisors...
BABYLON BERLIN: Robert Pinnow – VFX Supervisor – RISE
Robert Pinnow has been working in visual effects for almost 20 years. He founded RISE in 2007 with Florian Gellinger, Sven Pannicke and Markus...
I, TONYA: Making of by Eight VFX
Eight VFX presents their invisible work on I, TONYA and especially the face replacement:
WANT TO KNOW MORE?
Eight VFX: Dedicated page about I, TONYA on...
FMX 2018: trailers and Phil Tippett
We are proud to announce that we are media partner for FMX 2018!
Be sure to book your dates: April 24 to 27.
The first speaker...
THE COMMUTER: Stephane Paris – VFX Supervisor – Cinesite
Stephane Paris explained the work of Cinesite on PIRATES OF THE CARIBBEAN: ON STRANGER TIDES in 2011. He then joins MPC to work on MAN OF STEEL, THE AMAZING SPIDER-MAN 2, EDGE OF TOMORROW, GUARDIANS OF THE GALAXY and INTO THE STORM. In 2014, he returned to Cinesite to oversee the effects of THE LAST WITCH HUNTER.