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CAPTAIN AMERICA – CIVIL WAR: Florian Gellinger – VFX Supervisor –...

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Last year, Florian Gellinger had explained to us the work on Rise FX on THE MAN FROM U.N.C.L.E. He then worked on HITMAN: AGENT 47 and MANIFESTO. CAPTAIN AMERICA: THE CIVIL WAR is his second collaboration with the Russo brothers.

CAPTAIN AMERICA – CIVIL WAR: Dan Deleeuw – Overall VFX Supervisor

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Dan Deleeuw began his career in the visual effects in 1992 at Dream Quest Images and then joined the teams of Rhythm & Hues. He worked on many projects such as THE ROCK, REIGN OF FIRE, NIGHT AT THE MUSEUM or IRON MAN 3. CIVIL WAR is his second collaboration with the Russo brothers.

BATMAN V SUPERMAN – DAWN OF JUSTICE: Bryan Hirota – VFX...

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Bryan Hirota had explained to us in detail in 2014 the work of Scanline VFX on 300: RISE OF AN EMPIRE. He then worked on IN THE HEART OF THE SEA. BATMAN V SUPERMAN marks his fourth collaboration with director Zack Snyder and VFX supervisor John DJ Des Jardin.

SPECTRE: Steve Begg – Production VFX Supervisor

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Steve Begg began his career in special and visual effects there are more than 30 years ago in minitaures. SPECTRE is his fourth James Bond film (including 3 as VFX supervisor).

THE WALK: Kevin Baillie – Overall VFX Supervisor – Atomic Fiction

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During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.

FANTASTIC FOUR: François Dumoulin – VFX Supervisor – Rodeo FX

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During his last appearance on The Art of VFX, Francois Dumoulin had explained in detail the work of Rodeo FX for LUCY. He then worked on CINDERELLA. Today he talks about the reboot of FANTASTIC FOUR.

PIXELS: Daniel Kramer – VFX Supervisor – Sony Pictures Imageworks

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Last year, Daniel Kramer talked to us about the work of Sony Pictures Imageworks on EDGE OF TOMORROW. This time, he explains in detail about his work on PIXELS.

ANT-MAN: Alex Wuttke – VFX Supervisor – Double Negative

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Alex Wuttke has worked at Jim Henson's Creature Shop before joining Double Negative in 2002. He worked on films such as THE CHRONICLES OF RIDDICK or BATMAN BEGINS. As a VFX supervisor he took care of the effects for movies like QUANTUM OF SOLACE, 2012 and 2 THOR: THE DARK WORLD.

MAGGIE: Aymeric Perceval – VFX Supervisor – Cinesite

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Aymeric Perceval began his career in visual effects in 2010 at Cinesite. He has also worked with Union VFX, Image Engine and Pixomondo. At Cinesite, he has been compositing supervisor on films including EDGE OF TOMORROW, ROBOCOP and HERCULES. MAGGIE is his first project as VFX Supervisor.

TOMORROWLAND: Craig Hammack – VFX Supervisor – ILM

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Craig Hammack begins his career in visual effects at ILM in 1997. He works on projects such as TITANIC, STAR WARS: EPISODE III - REVENGE OF THE SITH, PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST or STAR TREK. He then became VFX Supervisor on THE LAST AIRBENDER and then supervise the effects for RED TAILS, BATTLESHIP and NOW YOU SEE ME.