the power - résultats de la recherche

Last year, Eric Saindon had told us in detail about his work for THE HOBBIT - AN UNEXPECTED JOURNEY. Now, he's back for the second episode of HOBBIT.

In 2010, Frazer Churchill had explained to us the work of Double Negative on SCOTT PILGRIM VS. THE WORLD. He's back on The Art of VFX at the occasion of his new collaboration with director Edgar Wright for THE WORLD'S END.

After explaining his work on the main titles for SNOW WHITE AND THE HUNTSMAN, Henry Hobson worked on the titles for the video game THE LAST OF US and started his studio Bootmaker Films. He is also preparing his first feature film.

The Platige Image team is back on The Art of VFX. They have explained their work on THE WITCHER 2 and CYBERPUNK 2077, now they talks about the creation of the teaser for THE WITCHER 3: WILD HUNT.

Isabelle Perin-Leduc began her career in visual effects at BUF in 2003. She has worked on many commercials before moving on feature films such as the trilogy of ARTHUR AND THE INVISIBLES, MR. MAGORIUM'S WONDER EMPORIUM, BE KIND REWIND or SPEED RACER.

Westley Sarokin worked for 5 years as an Flame artist at a52. In 2005, he joined The Mill as Joint Head of 2D. In the following interview, he explains his work for the VFX supervision of the VIKINGS main title. He is, for it, accompanied by Danny Morris, Lead Flame Artist.

Sara Bennett is in visual effects for over 12 years. She started at Mill Film, then joined Framestore to return finally at The Mill. She has participated in many projects such as BLACK HAWK DOWN, 28 WEEKS LATER, THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER or DREDD.

Ajoy Mani is back on The Art of VFX. After explaining the effects of Worldwide FX on CONAN THE BARBARIAN, he tells us about his work on THE EXPENDABLES 2 and its many challenges.

Gary Brozenich is a CG artist for over 25 years, he joined MPC while the studio only had a dozen artists. After working on numerous commercials, he joined the film division since its creation and will be in charge of CG on TROY and KINGDOM OF HEAVEN. He will be then VFX supervisor for films like THE DA VINCI CODE, THE WOLFMAN or CLASH OF THE TITANS. It is therefore natural that he talks about his work on the CLASH sequel: WRATH OF THE TITANS.

Jesper Kjolsrud began his career on the film THE BORROWERS. After working 10 years in London with MPC and Double Negative on films such as PITCH BLACK, STALINGRAD, THE CHRONICLES OF RIDDICK or 10,000 BC. In 2009, Jesper joined teams Image Engine in Vancouver. He will work on the films DISTRICT 9, GREEN ZONE or THE LOSERS. In the following interview, he talks about his work on THE THING.