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SOUTHPAW: Lara Lom – VFX Production Manager – Zero VFX
In 2012, Lara Lom talked to us about the MPC work on SKYFALL. After that she worked on films such as 300: RISE OF AN EMPIRE and then on ROBOCOP and GUARDIANS OF THE GALAXY at Framestore. She then joined Zero VFX in Boston.
She-Hulk – Attorney at Law: Jan Phillip Cramer (VFX Supervisor) with...
Jan Phillip Cramer started his career in visual effects at Sony Pictures Imageworks in 2005. He then joined Weta FX in 2007 and Digital...
Godzilla vs Kong: Bryan Hirota (VFX Supervisor) with Chris Mulcaster (CG...
Earlier this month, Bryan Hirota explained in detail the work done by Scanline VFX on Zack Snyder's Justice League. He's back to tell us...
Look back on 2013 and the expectations of 2014
For the 4th years of The Art of VFX, I decided to offer you new content and mostly editorial contents. This first article "Look back on 2013 and the expectations for 2014" is the first step. I hope you will find it interesting.
MAN OF STEEL: John “DJ” Desjardin – Production VFX Supervisor
John "DJ" Desjardin began his career in visual effects 20 years ago. He worked on projects like TIMECOP, BROKEN ARROW, RELIC or MISSION: IMPOSSIBLE II. He becomes Production VFX Supervisor on the two MATRIX sequels. Then he took care of the VFX for films such as like FANTASTIC FOUR, X-MEN: THE LAST STAND or THE KINGDOM. MAN OF STEEL is his third collaboration with director Zack Snyder.
WORLD WAR Z: Matt Johnson (VFX Supervisor), Anthony Zwartouw (CG Supervisor)...
Two years ago, Matt Johnson had told us about the work of Cinesite on X-MEN FIRST CLASS. To talk about WORLD WAR Z, he is accompanied with Anthony Zwartouw (CG Supervisor) and Thomas Dyg (Environment Supervisor).
IRON MAN 3: Bryan Grill – VFX Supervisor – Scanline VFX
During his last visit here, Bryan Grill had explained to us the work of Scanline VFX on HEREAFTER. He then worked on GULLIVER'S TRAVELS and THE AVENGERS.
IRON MAN 3: Simon Stanley-Clamp – VFX Supervisor – Cinesite
Simon Stanley-Clamp explained the Cinesite's work on PIRATES OF THE CARIBBEAN: ON STRANGER TIDES on his last visit to The Art of VFX. He then worked on JOHN CARTER and today he explains his work on IRON MAN 3.
A GOOD DAY TO DIE HARD: Joe Farrell – VFX Supervisor...
After beginning his career in traditional animation, Joe Farrell goes digital on TV series such as STARGATE SG-1 or JEREMIAH. Few years later, he joined Digital Domain and worked on films such as I, ROBOT, FLAGS OF OUR FATHERS, TRANSFORMERS or 2012. In 2010, he moved to Scanline VFX to work on HEREAFTER and then on IMMORTALS and BATTLESHIP.