His Dark Materials - search results

Have a look at this dæmon battle clip from HIS DARK MATERIALS! The VFX are made by: Framestore (VFX Supervisor: Robert Harrington) Release Date: November 4, 2019...

Don't miss this really nice main title created by the team of Elastic for HIS DARK MATERIALS: https://vimeo.com/371260179 © Vincent Frei – The Art of VFX...

At the end of last year, Jeff White explained ILM's work on AQUAMAN. David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN. In 2017, Alex Wang explained DNEG's work on THE FATE OF THE FURIOUS. He joins ILM in 2017 and works on JURASSIC WORLD: FALLEN KINGDOM. Scott Benza is working at ILM for 22 years. He has worked on films such as TRANSFORMERS, THE AVENGERS, KONG: SKULL ISLAND, BUMBLEBEE.

In 2018, Peter Eszenyi explained the work of Territory Studio on PACIFIC RIM: UPRISING. He then worked on JOHNNY ENGLISH STRIKES AGAIN and BLACK MIRROR. He talks to us today about his work on the prologue of THE DARK CRYSTAL series.

Sean Mathiesen has been working for nearly 30 years in visual effects and animation. He has worked in many studios including Weta Digital, Rising Sun Pictures, MPC and joined DNEG in 2016. He has worked on many projects such as the LORD OF THE RINGS trilogy, TERMINATOR SALVATION, THE MUPPETS MOST WANTED and BLACK MIRROR.

Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.

Mitchell Drain began his career in 1985 as a roto artist at Robert Abel and Associates. Subsequently, he worked on the Flame and Inferno systems. He has participated in projects such as JUDGE DREDD, INDEPENDENCE DAY, BLACK HAWK DOWN or MINORITY REPORT. In 2004, he joined Asylum and became VFX Supervisor and will handle films like MASTER AND COMMANDER, NATIONAL TREASURE: BOOK OF SECRETS, THE UNBORN or G-FORCE. In the following interview, he talks about his work for THIS MEANS WAR.

In 2007, Ahmed Gharraph began his career with MPC. He subsequently worked at DNEG, Framestore, and ILM before joining Important Looking Pirates in 2022....

David Simpson embarked on his journey in the realm of visual effects at Framestore back in 2008. Since then, he worked on Gravity, Fantastic...

Last year, Chris Lawrence explained the visual effects work on The Midnight Sky. Now he's back to tell us about Framestore's work on the...