In The Heights - résultats de la recherche

Last year, Christian Kaestner explained Framestore's work on CAPTAIN MARVEL. He then joined THE AERONAUTS.

Julian Foddy began his visual effects career in 2006 at DNEG. He works on films like GREEN ZONE, PAUL, FURIOUS 6 and HERCULES. He joined the ILM teams in 2015 and took care of the effects of films such as TEENAGE MUTANT NINJA TURTLES: OUT OF THE SHADOWS, TRANSFORMERS: THE LAST KNIGHT, READY PLAYER ONE and SOLO: A STAR WARS STORY.

In 2015, Kevin Baillie explained to us the work of Atomic Fiction (now Method Studios) on THE WALK. He then worked on STAR TREK BEYOND, ALLIED and the TV series, MANIFEST. Today he talks about his new collaboration with director Robert Zemeckis for WELCOME TO MARWEN.

At the beginning of this year, Jason Billington had explained to us the work of Method Studios on BRIGHT. He talks to us today about his work on SKYSCRAPER.

Earlier this year, Craig Hammack told us about the work of ILM on BLACK PANTHER. He talks to us today about his work and the challenges on SKYSCRAPER.

Andy Kind has been working in visual effects for over 24 years. He worked on many projects like CATS AND GODS, BABE: PIG IN THE CITY and GLADIATOR. Then he joined Framestore in 2001 and work on many Harry Potter movies, CHILDREN OF MEN, THE GOLDEN COMPASS, GRAVITY and the first PADDINGTON movie. Glen Pratt began his visual effects career in 2001 at Double Negative. He then worked in many studios such as MPC, LipSync Post, Nexus Productions and Framestore. He has worked on films like TOTAL RECALL, DRACULA UNTOLD, EVEREST and BEAUTY AND THE BEAST.

Dave Hodgins has been working in visual effects for over 17 years. He started his career at Digital Domain and has worked on films like THE MUMMY: TOMB OF THE DRAGON EMPEROR, TRANSFORMERS: DARK OF THE MOON, ENDER'S GAME and POWER RANGERS.

In 2014, Lou Pecora explained to us about the work of Digital Domain on X-MEN: DAYS OF FUTURE PAST. He speaks to us today about his work on SPIDER-MAN: HOMECOMING.

In 2011, Louis Morin explained to us about his work on SOURCE CODE. He then handles the visual effects for DARK HORSE, ON THE ROAD, BEAUTY AND THE BEAST and SICARIO. ARRIVAL is his second collaboration with director Denis Villeneuve.

In 2014, Bryan Grill had told us in detail about the work of Scanline VFX on CAPTAIN AMERICA - THE WINTER SOLDIER. He then worked on SAN ANDREAS. Today he explains his work on INDEPENDENCE DAY RESURGENCE.