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John Wick – Chapter 4: Javier Roca – VFX Supervisor –...
Before joining the Rodeo FX teams, Javier Roca worked at El Ranchito, MPC, ILM and Weta FX. He has worked on a large number...
John Wick – Chapter 4: VFX Breakdown by Tryptyc
The teams of the Toronto-based studio Tryptyc present their invisible work from set extensions to FX simulations and much more made for John Wick:...
John Wick: Chapter 4
Be sure to watch this featurette to know more about the crazy action scenes and the impressive cast of John Wick: Chapter 4!
https://www.youtube.com/watch?v=3oIxZLUKYtI
The VFX...
THE PREDATOR
Action packed TV spot for THE PREDATOR!
The VFX are made by:
MPC (VFX Supervisors: Arundi Asregadoo & Richard Little)
Atomic Fiction (VFX Supervisors: Ryan Tudhope &...
Best of 2016 and the expectations for 2017
This month of February marks a new year for The Art of VFX and is also the Awards season.
The last year was rich of...
DEADPOOL: Charlie Tait – VFX Supervisor – Weta Digital
Charlie Tait began his career in visual effects in 1996 at Cinesite. He worked on films like EVENT HORIZON, TOMORROW NEVER DIES, or LOST IN SPACE. He joined Weta Digital in 2000 and worked on the LORD OF THE RINGS trilogy. He participates in many projects of the studio like AVATAR, PROMETHEUS or IRON MAN 3.
DEADPOOL: Tim Miller (Director & Founder), Pauline Duvall (VFX Supervisor) &...
The team of Blur Studio composed of Tim Miller (Director & Founder), Pauline Duvall (VFX Supervisor) and Franck Balson (Previsualization Supervisor) talks about the various challenges faced on DEADPOOL.
DEADPOOL: Wayne Brinton – VFX Supervisor – Rodeo FX
In 2013, Wayne Brinton explained to us about the work of Modus FX on PARKER. he then worked on NOW YOU SEE ME and BEAUTY AND THE BEAST. Then he joined MPC to work on X-MEN: DAYS OF FUTURE PAST and CINDERELLA. In 2015, he joined Rodeo FX and worked on GAME OF THRONES and WARCRAFT.
DEADPOOL: Ryan Tudhope – Co-founder & VFX Supervisor – Atomic Fiction
In 2012, Ryan Tudhope explained to us in detail about the work of Atomic Fiction on LOOPER. He then take care of the visual effects of projects such as FLIGHT, THE LONE RANGER or GAME OF THRONES.
DEADPOOL: Alex Wang – VFX Supervisor – Digital Domain
Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.