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Shaun Roth has been working in visual effects for over 15 years. Before joining ILM in 2020, he worked at Zoic Studios and DNEG....

In 2019, Daniele Bigi had explained ILM's work on Aladdin. He then worked on Star Wars: The Rise of Skywalker. Peter Kyme started his career...

Back in 2017, Scott Stokdyk explained the visual effects work on Valerian and the City of a Thousand Planets. He then worked as a...

Back in 2019, Christopher Townsend explained in detail the visual effects work for Captain Marvel. Today he returns to tell us about his...

Back in 2016, Jay Redd explained in detail the work of Sony Pictures Imageworks on Alice Through the Looking Glass. He then worked at...

In 2017, Ivan Moran explained the work of Framestore on GHOST IN THE SHELL. He then worked on MOWGLI. He talks today about his work as Overall VFX Supervisor on the movie Netflix, PROJECT POWER.

Daniele Bigi began his career in the visual effects in the early 2000s and worked in many studios such as Framestore and MPC before joining ILM in 2015. He worked on many films like PROMETHEUS, GUARDIANS OF THE GALAXY, DOCTOR STRANGE and READY PLAYER ONE. Steve Aplin started working at ILM in 1997 and then worked at DNEG in 2009 before returning to ILM in 2016. He worked on films like STAR WARS: EPISODE III - REVENGE OF THE SITH, TRANSFORMERS: REVENGE OF THE FALLEN, CAPTAIN AMERICA : CIVIL WAR and A QUIET PLACE.

In the past year, Mohsen Mousavi explained the work of Scanline VFX on THE MEG. He is back today to tell us about his work on the final season of GAME OF THRONES.

Earlier this year, Salvador Zalvidea explained the work of Cinesite on MUTE. He talks to us today about his work on ADRIFT.

Steve Moncur began his career in the visual effects in 2003 at MPC. He then worked at Baseblack and Cinesite before joining DNEG TV in 2016. He has worked on many films such as KINGDOM OF HEAVEN, POSEIDON, 10'000 BC, KINGSMAN: THE SECRET SERVICE and FANTASTIC BEASTS AND WHERE TO FIND THEM.