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Guy Williams had talked to us here about the visual effects of Weta Digital on THE AVENGERS a year ago. He is back with this new Marvel production and explains the many challenges on this film. Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

Aaron Gilman started his career in animation more than 10 years ago. He worked for studios such as Meteor Studios and Tippett Studio on projects like MATRIX REVOLUTIONS, HELLBOY, CONSTANTINE or JOURNEY TO THE CENTER OF THE EARTH. He then joined Weta Digital to work on AVATAR. After that he worked on films such as THE ADVENTURES OF TINTIN, THE AVENGERS and THE HOBBIT: AN UNEXPECTED JOURNEY.

Mark Bakowski began his career in visual effects more than 10 years ago. He worked for many studios such as Mill Film, Cinesite and Framestore. He has worked on films like V FOR VENDETTA, CHARLIE AND THE CHOCOLATE FACTORY, QUANTUM OF SOLACE or PRINCE OF PERSIA: SANDS OF TIME.

Here is my summary of FMX 2013. It was a great edition full of interesting conferences and meetings. See you in 2014.

Christopher Townsend joined ILM in 1995. He stayed 11 years there and will work on projects such as CONGO, ARTIFICIAL INTELLIGENCE: AI, HULK and also the new STAR WARS trilogy. Since 2008, he is VFX supervisor and take care of movies such as JOURNEY TO THE CENTER OF THE EARTH, NINJA ASSASSIN or CAPTAIN AMERICA: THE FIRST AVENGER.

Mikael Damant-Sirois began working at Meteor Studio on projects such as JOURNEY TO THE CENTER OF THE EARTH or TV series CRUSOE. He joined Rodeo FX in 2012 and worked on films like RED TAILS, MIRROR MIRROR or THE TWILIGHT SAGA: BREAKING DAWN - PART 2.

Here is the second trailer for RUSH. The VFX are made by : Double Negative (VFX Supervisor : Jody Johnson) Pixomondo (VFX Supervisor : Juri Stanossek)

Danny Yount is back on The Art of VFX. He explains the different process and the challenges for the creation of the opening title and end title for OBLIVION made by Prologue Films. This is his second collaboration with director Joseph Kosinski.

Here is the final trailer for FAST AND FURIOUS 6. The VFX are made by : Double Negative (VFX Supervisor: David Vickery) Image Engine (VFX Supervisor: Chris...

Since his last visit on The Art of VFX for THE THREE MUSKETEERS, Ara Khanikian worked on films like IMMORTALS, UNDERWORLD: AWAKENING, RED TAILS or MIRROR MIRROR.