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127 HOURS: Adam Gascoyne – VFX Supervisor & Co-founder – Union...
Adam Gascoyne is working in visual effects for over 15 years. He worked at Cinesite, MPC or Rainmaker London. His filmography includes such films as DIE ANOTHER DAY, DA VINCI CODE or the TV series ROME. He oversaw a large number of films including SLUMDOG MILLIONAIRE, INKHEART or LA MOME. He founded Union VFX with Tim Caplan.
THE GREEN HORNET: Jamie Dixon – VFX Supervisor & Co-founder –...
Jamie Dixon is a true pioneer in the world of visual effects. He was one of the first employees at Pacific Data Images in 1985. His wire removal on TERMINATOR 2 was one of the first and same thing about the morphing on the faces for the music video BLACK & WHITE of Michael Jackson. He founded Hammerhead in 1995, with Dan Chuba, Thad Beier and Rebecca Marie, and work on many films such as TRUE LIES, TITANIC, X-MEN, THE CHRONICLES OF RIDDICK or WANTED.
TRON LEGACY: Charlie Iturriaga – VFX Supervisor – Ollin Studio
After working several years in Mexico and Latin America, Charlie Iturriaga and Ollin Studio began a long collaboration with David Fincher working on ZODIAC, THE CURIOUS CASE OF BENJAMIN BUTTON and THE SOCIAL NETWORK. At their credits, there are also the visual effects of THE SPIRIT, LET ME IN and THE LAST AIRBENDER.
TRON LEGACY: Danny Yount – Creative Director – Prologue Films
Danny Yount, Creative Director at Prologue Films, accompanied by Daniel Klohn and Miles Laurisden talks about their work on TRON LEGACY. Prologue is a studio specializing in the design of film credits and motion design. They worked on films such as IRON MAN 2, THE LOSERS or SHERLOCK HOLMES and TV show like THE WALKING DEAD.
TRON LEGACY: Aaron Weintraub – VFX Supervisor – Mr. X
Co-founder of the studio Mr. X in 2001, Aaron Weintraub oversees many films like A HISTORY OF VIOLENCE, SCOTT PILGRIM VS THE WORLD or REPO MEN. He recently completed the VFX supervision of THE FACTORY.
The Art of VFX celebrates its 1st birthday!
[lang_fr]Bonjour à tous,
Ce mardi marque le 1er anniversaire de The Art of VFX !
Je tenais à tous vous remercier de me lire chaque semaine et à être si nombreux à suivre mes interviews.
Vous êtes plusieurs centaines à venir chaque semaine de plus de 80 pays différents.
Je suis vraiment touché de vous savoir si nombreux à apprécier mon travail !
J'ai l'immense plaisir de vous faire partager les messages reçus à cette occasion.
Pour lire ces commentaires, cliquez ici[/lang_fr][lang_en]Hello everyone,
This Tuesday marks the first anniversary of The Art of VFX!
I wanted to thank you all for reading me every week and to be so many to follow my interviews.
You are several hundred to come every week from more than 80 countries.
I am truly touched that you are so many to appreciate my work!
I am pleased to share the messages I've received for this event.
To read those comments, click here[/lang_en] 
BOARDWALK EMPIRE: Justin Ball – VFX Supervisor – Brainstorm Digital
After several years at Zoic Studios as a TD and engineer, Justin Ball joined the team at Brainstorm Digital. He participated in many projects such as BURN AFTER READING, DUPLICITY or THE ROAD. It also oversees the effects of several films like BROOKLYN'S FINEST, or LETTERS TO JULIET and THE ADJUSTMENT BUREAU.
SCOTT PILGRIM VS THE WORLD: Frazer Churchill – VFX Supervisor –...
After several years of freelance work, Frazer Churchill joined Double Negative which is one of the founders. He participated in many projects such as PITCH BLACK, BELOW or ENEMY AT THE GATES. In 2001, he became supervisor and handles the visual effects of DOOM, SAHARA or CHILDREN OF MEN.
THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...
Matt Johnson work since over 15 years in visual effects at Cinesite. He participated in many projects such as EVENT HORIZON and LOST IN SPACE. And supervised a large number of show from KING ARTHUR to THE GOLDEN COMPASS passing by V FOR VENDETTA.
THE CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER –...
Adam Valdez began his career at Tippett Studio in 1990 where he worked on great projects such as JURASSIC PARK or STARSHIP TROOPERS. After a transit at PDI, he joined the team at Weta Digital working on the first two LORD OF THE RINGS. In 2004, he moved to London and worked since then at MPC.