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MUTE: Salvador Zalvidea – VFX Supervisor – Cinesite
Salvador Zalvidea has over 18 years of experience in the visual effects. He has worked on films like THE COMMUTER, KINGSMAN: THE SECRET SERVICE and THE GREAT GATSBY. As a VFX Supervisor, he took care of the effects in CLASS SEASON 1, DOCTOR WHO SEASON 9 and DOCTOR WHO CHRISTMAS SPECIAL.
DOWNSIZING: James E. Price – Overall VFX Supervisor
James E. Price is working in the visual effects for more than 27 years. As a VFX supervisor, he took care of the effects of many films such as AUSTRALIA, THE A-TEAM, PACIFIC RIM and ROBOCOP.
BLADE RUNNER 2049: Paul Lambert – VFX Supervisor – Double Negative
Paul Lambert started his career at Cinesite in 1995 and then worked at Digital Domain before joining Double Negative in 2015. His filmography includes films such as THE CURIOUS CASE OF BENJAMIN BUTTON, TRON LEGACY, OBLIVION and THE HUNTSMAN: WINTER'S WAR.
BLADE RUNNER 2049: John Nelson – Overall VFX Supervisor
John Nelson supervised the visual effects of more than 20 movies such as IN THE LINE OF FIRE, THE MATRIX RELOADED, I ROBOT and IRON MAN. He won an Academy Award for Best Achievement in Visual Effects for GLADIATOR.
BLADE RUNNER 2049: Richard Clegg – VFX Supervisor – MPC
Richard Clegg began his career in visual effects in 2007 at MPC. He has worked on many projects such as CLASH OF THE TITANS, CINDERELLA, TERMINATOR GENISYS or PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES.
DUNKIRK: Andrew Jackson – Overall VFX Supervisor – Double Negative
Andrew Jackson has a long experience in visual effects. He has supervised numerous projects such as KNOWING, HAPPY FEET TWO and MAD MAX: FURY ROAD. He talks to us today about his collaboration with director Christopher Nolan for DUNKIRK.
OKJA: Erik-Jan de Boer – VFX Supervisor – Method Studios
Erik-Jan de Boer began his career in the VFX at MPC in 1989. He then worked at Rushes before joining Rhythm & Hues in 1996 where he worked more than 16 years as an animation supervisor. In 2013 he won an Oscar for Best Achievement in Visual Effects for LIFE OF PI. He then joined Method Studios.
ATTRACTION: Arman Yahin (CEO), Andrey Maximov & Dmitry Kuznetsov (VFX supervisors)...
The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.
WONDER WOMAN: Alex Wuttke – VFX Supervisor – Double Negative
In 2015, Alex Wuttke explained to us about the work of Double Negative on ANT-MAN. Then he worked on SPECTRE.
ALIEN – COVENANT: Charley Henley – Production VFX Supervisor – MPC
In 2014, Charley Henley explained to us the work of MPC on 300: RISE OF AN EMPIRE. He then worked on CINDERELLA and THE JUNGLE BOOK. ALIEN: COVENANT marks his return to the Alien universe.