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ALIEN – COVENANT: Charley Henley – Production VFX Supervisor – MPC
In 2014, Charley Henley explained to us the work of MPC on 300: RISE OF AN EMPIRE. He then worked on CINDERELLA and THE JUNGLE BOOK. ALIEN: COVENANT marks his return to the Alien universe.
Best of 2016 and the expectations for 2017
This month of February marks a new year for The Art of VFX and is also the Awards season.
The last year was rich of...
MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: Jelmer Boskma – VFX Supervisor...
Jelmer Boskma worked in many studios such as Frantic Films, Image Engine or MPC before joining Scanline VFX in 2015. His filmography includes films like WATCHMEN, DISTRICT 9, SIN CITY: A DAME TO KILL FOR or BATMAN V SUPERMAN: DAWN OF JUSTICE.
CAPTAIN AMERICA – CIVIL WAR: Dan Deleeuw – Overall VFX Supervisor
Dan Deleeuw began his career in the visual effects in 1992 at Dream Quest Images and then joined the teams of Rhythm & Hues. He worked on many projects such as THE ROCK, REIGN OF FIRE, NIGHT AT THE MUSEUM or IRON MAN 3. CIVIL WAR is his second collaboration with the Russo brothers.
SPECTRE: Mark Curtis – VFX Supervisor – MPC
Mark Curtis started his career in the visual effects in 2001 at MPC. He worked on many projects and then joined MPC Vancouver in 2009. He has worked on films like WATCHMEN, LIFE OF PI or GUARDIANS OF THE GALAXY. As VFX Supervisor, he took care of the effects of films like FIFTY SHADES OF GREY and FURIOUS 7.
THE GIVER: Mark Breakspear – VFX Supervisor – Method Studios
Mark Breakspear explained to us the work of Method Studios for ELYSIUM on his last visit. Then he worked on ENDER'S GAME and THOR: THE DARK WORLD. Today he talks to us about his work on THE GIVER.
EDGE OF TOMORROW: Jonathan Fawkner – VFX Supervisor – Framestore
In 2012, Jonathan Fawkner had told us in details of Framestore work on WRATH OF THE TITANS. He then worked on GRAVITY as additional visual effects supervisor. Today he talks about his work on EDGE OF TOMORROW.
STAR TREK INTO DARKNESS: Ben Grossmann – VFX Supervisor – Pixomondo
Ben Grossmann began his career in the VFX more than 10 years ago. He has worked on many films such as THE DAY AFTER TOMORROW, 2012 SHUTTER ISLAND or ALICE IN WONDERLAND. He received an Oscar for Best Visual Effects for HUGO.
DREDD: Jon Thum – VFX Supervisor – Prime Focus World
Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.
L’ODYSSEE DE CARTIER: Benoit Revilliod – VFX Supervisor – Digital District
Benoit Revilliod has worked in many Parisians VFX studios such as Ex Machina, Def2Shoot or Wizz. Alongside his work as VFX supervisor, he is a professor at the school SupinfoCom. In the following interview, he discusses his work on the film L'ODYSSEE DE CARTIER.