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PROJECT POWER: Ivan Moran – Overall VFX Supervisor

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In 2017, Ivan Moran explained the work of Framestore on GHOST IN THE SHELL. He then worked on MOWGLI. He talks today about his work as Overall VFX Supervisor on the movie Netflix, PROJECT POWER.

AVENGERS – ENDGAME: Carlos Ciudad – VFX Producer – DNEG

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Carlos Ciudad began his career in visual effects at Framestore in 2013. He then worked at MPC and joined the teams of DNEG in 2017. He has worked on many films such as THE JUNGLE BOOK, ALIEN: COVENANT, VENOM and CAPTAIN MARVEL.

THE LION KING: Elliot Newman – VFX Supervisor – MPC

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Elliot Newman began his career in visual effects in 2002 and joined MPC in 2004. He worked on many films such as PROMETHEUS, WORLD WAR Z, 300: RISE OF AN EMPIRE and THE JUNGLE BOOK.

CAPTIVE STATE: Tom Brass (Creative Director) & Dave Cook (Head of...

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After working at BBC on PLANET DINOSAUR, Tom Brass joined Jellyfish Pictures in 2011. He worked on many projects such as AMERICAN DYNASTIES: THE KENNEDYS, DEADLY DINOSAURS WITH STEVE BACKSHALL and THE INNOCENTS. Dave Cook began his career in visual effects in 2004. He worked in many studios and then became Head of 3D at Jellyfish Pictures in 2015.

JURASSIC WORLD – FALLEN KINGDOM: David Vickery (Overall VFX Supervisor), Alex...

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In 2013, David Vickery explained the work of DNEG on FAST & FURIOUS 6. He then worked on JUPITER ASCENDING and MISSION IMPOSSIBLE: ROGUE NATION. He joined Industrial Light & Magic in 2016. Last year, Alex Wuttke told us about the DNEG's work on WONDER WOMAN and then joined ILM the same year. Jance Rubinchik began his career in 2003 and worked at Electronic Arts, Tippett Studio and Weta Digital before joining ILM in 2017. He has worked on many films such as CLOVERFIELD, AVATAR, MAN OF STEEL, DAWN OF THE PLANET OF THE APES and KONG: SKULL ISLAND.

DEADPOOL 2: Dan Macarin – VFX Supervisor – Weta Digital

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Dan Macarin worked at Animal Logic and Rhythm & Hues before joining Weta Digital in 2008. He has worked on many films such as HAPPY FEET, THE GOLDEN COMPASS, AVATAR, DAWN OF THE PLANET OF THE APES, THE BFG and MAZE RUNNER: THE DEATH CURE.

RAMPAGE: Erik Winquist – VFX Supervisor – Weta Digital

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In 2017, Erik Winquist had explained the awesome work of Weta Digital on WAR FOR THE PLANET OF THE APES. He talks to us today about the giant creatures of RAMPAGE.

MAZE RUNNER – THE DEATH CURE: Chris White – VFX...

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Chris White began his visual effects career more than 23 years ago at Industrial Light & Magic. He has worked on films such as MARS ATTACKS!, THE LOST WORLD, JURASSIC PARK, THE PERFECT STORM and STAR WARS: EPISODE II - ATTACK OF THE CLONES. In 2003, he joined Weta Digital and worked on KING KONG, AVATAR, RISE OF THE PLANET OF THE APES and THE HOBBIT trilogy.

16th Annual VES Awards: The Nominations

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The nominations for the 16th Annual VES Awards have just been announced! OUTSTANDING VISUAL EFFECTS IN A PHOTOREAL FEATURE Blade Runner 2049 John Nelson Karen Murphy...

THOR – RAGNAROK: Alexis Wajsbrot, Kyle McCulloch & Jonathan Fawkner –...

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In November 2016, Alexis Wajsbrot and Jonathan Fawkner talked about the work of Framestore on DOCTOR STRANGE. And in April of this year, Kyle McCulloch explained to us about his work on BEAUTY AND THE BEAST. They are now talking about the last act of THOR: RAGNAROK.