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Jesse James Chisholm began his career in visual effects in 1997 at Digital Domain. After working there for over 19 years, he joined Marvel...

In 2020, Christian Kaestner explained the visual effects work made by Framestore on The Aeronauts. He then worked on Spider-Man: No Way Home. How did...

In 2017, Paul Butterworth explained the work of Animal Logic on GUARDIANS OF THE GALAXY VOL. 2. He then worked on ALIEN: COVENANT. In 2011, Jason Bath explained the work of Fuel VFX on CAPTAIN AMERICA: THE FIRST AVENGER. Then he worked on many films like THE AVENGERS, PROMETHEUS, IRON MAN 3 and GUARDIANS OF THE GALAXY VOL 2.

Earlier this year, Salvador Zalvidea explained the work of Cinesite on MUTE. He talks to us today about his work on ADRIFT.

Andy Brown has been working in visual effects for 30 years. Before joining Method he worked at Animal Logic for 22 years during which he was VFX Supervisor on MOULIN ROUGE, HERO, HOUSE OF FLYING DAGGERS, WORLD TRADE CENTER, AUSTRALIA, SUCKER PUNCH, THE GREAT GATSBY, and THE GREAT WALL. Todd Sheridan Perry has been in visual effects and animation since 1992. After owning a small visual effect boutique in Venice, CA for nearly ten years, Todd has worked on projects including LORD OF THE RINGS: THE TWO TOWERS, CHRONICLES OF RIDDICK, 2012, THE MIST, and SPEED RACER. He has worked with Method as a CG Supervisor on AVENGERS: AGE OF ULTRON and DOCTOR STRANGE.

In 2016, Bryan Grill explained the work of Scanline VFX on INDEPENDENCE DAY: RESURGENCE. He then worked on POWER RANGERS. He returns to the Marvel universe with BLACK PANTHER.

Last September, Stuart Lashley explained the work of Double Negative on BABY DRIVER. He totally changes of universes today with THOR: RAGNAROK.

Jay Mehta started his career at Rhythm & Hues in 2007, where he worked on projects such as THE GOLDEN COMPASS, THE INCREDIBLE HULK, SNOW WHITE AND THE HUNTSMAN and LIFE OF PI. He then joined Base FX in 2014 and worked on projects like AGENT CARTER, BLACK SAILS and EQUALS.

Everett Burrell began his career in visual effects more than 20 years ago. He has worked on numerous projects such as SIN CITY, HELLBOY or PAN'S LABYRINTH. As independent VFX supervisor, he was took care of films like MAX PAYNE, BATTLE: LOS ANGELES, WARM BODIES or A GOOD DAY TO DIE HARD. In 2013, he joined Look Effects as Senior VFX Supervisor.

During his last visit, Aaron Weintraub explained the work of Mr. X on TRON: LEGACY. He then worked on projects like THE THREE MUSKETEERS, TWILIGHT: BREAKING DAWN - PART 1, THE THING, RESIDENT EVIL: RETRIBUTION and MAMA . Craig Calvert worked in the VFX for over 13 years. He has worked on projects such as I, ROBOT, TROPIC THUNDER or ANGELS & DEMONS. He then joined Mr. X in 2010 and participates in films like REPO MEN, TRON: LEGACY, THE VOW or RESIDENT EVIL: AFTERLIFE.