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In 2016, Mark Breakspear talked to us about the work of Sony Pictures Imageworks for SUICIDE SQUAD. He explains today his work on KINGSMAN: THE GOLDEN CIRCLE.

Fabio Zangla has more than 10 years experience in visual effects. He worked in numerous studios like MPC, Double Negative and Weta Digital before joining Framestore in 2016. His filmography includes projects such as AVATAR, HUGO, JOHN CARTER or INTERSTELLAR. Chris Zeh began his career in VFX in 2000. He worked at Cinesite, Rainmaker UK, Weta Digital and Framestore. His filmography is composed of many projects such as THE LORD OF THE RINGS: THE RETURN OF THE KING, THE GOLDEN COMPASS, THE DARK KNIGHT, GRAVITY or GUARDIANS OF THE GALAXY.

Rudy Grossmann has nearly 20 years of experience in the visual effects. He has worked in many studios such as Industrial Light & Magic, The Orphanage, Weta Digital or Digital Domain before joining Atomic Fiction in 2014. At Atomic Fiction, he has worked on different movies such as THE WALK, DEADPOOL or ALIEN: COVENANT.

Last year, François Dumoulin explained to us about the work of Rodeo FX on THE LEGEND OF TARZAN. He speaks to us today about his new collaboration with Luc Besson and the challenges encountered on VALERIAN.

In 2015, Jessica Norman explained to us about the work of MPC on EXODUS: GODS AND KINGS. She then worked on A MONSTER CALLS and today she talks about her work on WONDER WOMAN.

In 2016, Seth Hill explained to us about the work of Atomic Fiction on STAR TREK BEYOND. He then worked on ALLIED and ROGUE ONE.

In 2014, Philippe Rebours explained to us about the work of ILM on NOAH. He then worked on visual effects on AVENGERS: AGE OF ULTRON.

In 2015, Sheldon Stopsack explained to us about the work of MPC on TERMINATOR GENISYS and then he worked on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES. Today, he talks about his first collaboration with director Michael Bay for TRANSFORMERS: THE LAST KNIGHT.

In 2013, Scott Stokdyk told us about the work of Sony Pictures Imageworks on OZ THE GREAT AND POWERFUL. He then took care of the visual effects of THE 5TH WAVE. Sophie Leclerc started her career in the visual effects at Tippett Studio. She has produced the visual effects of many films such as THE A-TEAM, FAST FIVE and UPSIDE DOWN. VALERIAN is her second collaboration with Luc Besson after LUCY.

Theodore Bialek has more than 20 years of experience in visual effects. At Sony Pictures Imageworks, he has worked on numerous projects such as STUART LITTLE, BEOWULF, SPEED RACER and ALICE IN WONDERLAND.