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THOR: Eric Fernandes – CG Supervisor – Digital Domain

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Eric Fernandes has worked in many studios such as Industrial Light and Magic, Weta Digital or Dreamworks Animation and Digital Domain. He has worked on such films as STAR WARS EPISODE II: ATTACK OF THE CLONES, LORD OF THE RINGS: THE TWO TOWERS and RETURN OF THE KING but also on KUNG FU PANDA and AVATAR.

X-MEN FIRST CLASS: John Dykstra – Visual Effects Designer

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John Dysktra is a pioneer in visual effects. He is responsible for the creation of Industrial Light & Magic, he has won two Best Visual Effects Academy Awards for STAR WARS and SPIDER-MAN 2. He developed also the first computer-controlled motion control system called the Dykstraflex, which earned him an Scientific and Engineering Award. Her career includes movies such as STAR TREK: THE MOTION PICTURE, FIREFOX, BATMAN FOREVER, SPIDER-MAN 1 & 2 and HANCOCK.

SUCKER PUNCH: Guillaume Rocheron – VFX Supervisor – MPC

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Since his interview about PERCY JACKSON, Guillaume Rocheron worked on SUCKER PUNCH. In the following interview, he talks about his work on this show.

TRUE GRIT: Vincent Cirelli – VFX Supervisor – Luma Pictures

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After talking about THE GREEN HORNET, Vincent Cirelli and his team are back. This time, they talk about their invisible work on the western TRUE GRIT.

HEREAFTER: Bryan Grill – VFX Supervisor – Scanline VFX

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Bryan Grill evolves in visual effects for over 20 years. After working for 14 years at Digital Domain starting as Flame operator to finish as a VFX supervisor, he oversaw such projects as THE GOLDEN COMPASS, PIRATES OF THE CARIBBEAN 3 or G.I. JOE. He joined the teams of Scanline VFX in 2010.

TRON LEGACY: Charlie Iturriaga – VFX Supervisor – Ollin Studio

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After working several years in Mexico and Latin America, Charlie Iturriaga and Ollin Studio began a long collaboration with David Fincher working on ZODIAC, THE CURIOUS CASE OF BENJAMIN BUTTON and THE SOCIAL NETWORK. At their credits, there are also the visual effects of THE SPIRIT, LET ME IN and THE LAST AIRBENDER.

BOARDWALK EMPIRE: Justin Ball – VFX Supervisor – Brainstorm Digital

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After several years at Zoic Studios as a TD and engineer, Justin Ball joined the team at Brainstorm Digital. He participated in many projects such as BURN AFTER READING, DUPLICITY or THE ROAD. It also oversees the effects of several films like BROOKLYN'S FINEST, or LETTERS TO JULIET and THE ADJUSTMENT BUREAU.

LOST Final Season: Adam Avitabile – VFX Supervisor – Look Effects

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Adam Avitabile worked for over 10 years at Look Effects. He has participated in numerous TV series as MALCOLM IN THE MIDDLE, ARRESTED DEVELOPMENT, PUSHING DAISIES or LOST. His career also has a lot of movies like ROCKY BALBOA, APOCALYPTO, LITTLE MISS SUNSHINE or THE WRESTLER.

CENTURION: Jacob Otterström – VFX Supervisor – Filmgate

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Jacob Otterström worked at Filmgate for more than 4 years. He has participated on movies such as THE COTTAGE, EDEN LAKE or THE DESCENT Part 2.

INCEPTION: Paul Franklin – VFX Supervisor – Double Negative

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After beginning his career at Digital Film and MPC, Paul Franklin helps to the creation of the studio Double Negative in 1998. Since then he has supervised projects such as THE LEAGUE OF EXTRAORDINARY GENTLEMEN and HARRY POTTER AND THE ORDER OF THE PHOENIX and has supervised all the movies of Christopher Nolan since BATMAN BEGINS. In the following interview, he talks to us about his work on INCEPTION.