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MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: Frazer Churchill – Production VFX...
In 2013, Frazer Churchill explained to us about the work of Double Negative on THE WORLD'S END. He then became independent VFX supervisor and works with the legendary film director Tim Burton.
KUBO AND THE TWO STRINGS: Steve Emerson – VFX Supervisor –...
Steve Emerson worked at Rainmaker Entertainment Inc and IMAX before joining LAIKA in 2008 as 2D supervisor on CORALINE. He then worked on PARANORMAN and THE BOXTROLLS.
DEEPWATER HORIZON: Craig Hammack – VFX Supervisor – Industrial Light &...
In 2015, Craig Hammack told us about the work of Industrial Light & Magic on TOMORROWLAND. After BATTLESHIP, DEEPWATER HORIZON marks his second collaboration with director Peter Berg.
THE LEGEND OF TARZAN: François Dumoulin – VFX Supervisor – Rodeo...
Last year, Francois Dumoulin talked to us about the work of Rodeo FX on FANTASTIC FOUR. He then worked on IN THE HEART OF THE SEA. After THE LEGEND OF TARZAN which he explains his work today, he is now working on VALERIAN AND THE CITY OF A THOUSAND PLANETS.
INDEPENDENCE DAY – RESURGENCE: Bryan Grill – VFX Supervisor – Scanline...
In 2014, Bryan Grill had told us in detail about the work of Scanline VFX on CAPTAIN AMERICA - THE WINTER SOLDIER. He then worked on SAN ANDREAS. Today he explains his work on INDEPENDENCE DAY RESURGENCE.
WARCRAFT: Jeff White – VFX Supervisor – Industrial Light & Magic
Jeff White explained to us about the work of ILM in 2012 on THE AVENGERS. Then he worked on TRANSFORMERS: AGE OF EXTINCTION. He explains in detail today his work on WARCRAFT.
TEENAGE MUTANT NINJA TURTLES – OUT OF THE SHADOWS: Pablo Helman...
Two years ago, Pablo Helman explained to us about the work of ILM on TEENAGE MUTANT NINJA TURTLES. He returns today to talk about this new episode and the new technical evolutions.
CENTRAL INTELLIGENCE: Kelvin McIlwain – Production VFX Supervisor
Kelvin McIlwain began his career in the visual effects as a matte painter at Illusion Arts in 1996. He take care of the effects of CENTRAL INTELLIGENCE between two films of the FAST AND FURIOUS saga. Interesting fact: he worked on all the films of this saga!
ALICE THROUGH THE LOOKING GLASS: Jay Redd – VFX Supervisor –...
Jay Redd started his career at Rhythm & Hues before joining Sony Pictures Imageworks in 1996 to work on CONTACT. As VFX supervisor, Jay took care of the effects of films like THE HAUNTED MANSION, MONSTER HOUSE or MEN IN BLACK 3.
WARCRAFT: Hal Hickel – Animation Supervisor – Industrial Light & Magic
In 2013, Hal Hickel had explained in detail about the work of ILM on PACIFIC RIM. He then moved from the giant robots to...