Star Wars - résultats de la recherche

Deak Ferrand has worked for more than 15 years in visual effects as a matte painter. He was on the team that won an Academy Award for the Best Visual Effects for WHAT DREAMS MAY COMES. He has since founded his own company, Hatch, and has participated in a large number of film projects such as RIDDICK, CONSTANTINE, SHOOTER, THE ASSASSINATION OF JESSE JAMES, RED CLIFF and WOLVERINE. In the interview which follows, Deak speaks to us about its course and its work on THE BOOK OF ELI.

Elisabetta Rocca has been working at EDI Effetti Digitali Italiani for more than 6 years. She has worked on projects such as The Champion,...

In 2014, Eric Saindon explained the work of Weta Digital on THE HOBBIT: THE DESOLATION OF SMAUG. He then took care of the effects of THE HOBBIT: THE BATTLE OF THE FIVE ARMIES, PETE'S DRAGON and A GHOST STORY. Mike Cozens told us about his work on THE HOBBIT: THE BATTLE OF THE FIVE ARMIES in 2015. He then worked on MAZE RUNNER: THE SCORCH TRIALS.

Dave Hodgins has been working in visual effects for over 17 years. He started his career at Digital Domain and has worked on films like THE MUMMY: TOMB OF THE DRAGON EMPEROR, TRANSFORMERS: DARK OF THE MOON, ENDER'S GAME and POWER RANGERS.

Last September, Stuart Lashley explained the work of Double Negative on BABY DRIVER. He totally changes of universes today with THOR: RAGNAROK.

Really nice advertising reel by MPC featuring their work for Sky Movies, Call of Duty and more: © Vincent Frei – The Art of VFX...

Before becoming a freelance visual effects producer, Shari Hanson has worked for many years at Industrial Light & Magic in the commercials department and then in features. She took care of the effects of films such as THE ISLAND, MISSION: IMPOSSIBLE III, TRANSFORMERS or STAR TREK.

I'm wishing you Happy Holidays and a Merry Christmas! and a Happy New Year! As last year, here is a nice compilation of holiday cards from...

In 2011, Danielle Plantec had detailed to us the work of Scanline VFX on IMMORTALS. She then worked on films such as IRON MAN 3 MAN OF STEEL or THE WOLF OF WALL STREET. In 2012, Byan Hirota talked about his work on SNOW WHITE AND THE HUNTSMAN at Pixomondo. He has moved then to Scanline VFX. Today, they explain in detail their work on the sequel of 300.

The Platige Image team is back on The Art of VFX. They have explained their work on THE WITCHER 2 and CYBERPUNK 2077, now they talks about the creation of the teaser for THE WITCHER 3: WILD HUNT.