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STAR WARS EPISODE VII – THE FORCE AWAKENS: Roger Guyett –...

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In 2013, Roger Guyett had explained to us about the work of Industrial Light & Magic on STAR TREK INTO DARKNESS. Now he talks...

THE IRISHMAN: Pablo Helman (Overall VFX Supervisor), Leandro Estebecoena, Nelson Sepulveda,...

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In 2017, Pablo Helman explained to us the work of ILM on SILENCE. He talks to us today about his new collaboration with Martin Scorsese. Leandro Estebecoena has worked in visual effects for over 30 years. He joined ILM in 1996 and worked on films like TRANSFORMERS, IRON MAN, STAR TREK and RANGO. Nelson Sepulveda began his career in visual effects in 1994 at Cinesite. He then worked at Centroplois Entertainment and Weta Digital before joining ILM in 2004. His filmography includes films like RANGO, THE AVENGERS, WARCRAFT and KONG: SKULL ISLAND. Ivan Busquets started working in VFX in the early 2000s. He worked at Cinesite, MPC and ILM. His filmography includes films such as THE GOLDEN COMPASS, SUCKER PUNCH, ROGUE ONE: A STAR WARS STORY and BUMBLEBEE. Stephane Grabli joined ILM in 2008. He worked on films such as RANGO, TRANSFORMERS: AGE OF EXTINCTION, STAR WARS: THE FORCE AWAKENS and JURASSIC WORLD: FALLEN KINGDOM.

CARNIVAL ROW: Max Riess – VFX Supervisor – Pixomondo

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Max Riess began his career in visual effects more than 10 years at Pixomondo. He has worked on many projects such as HUGO, STAR TREK INTO DARKNESS, GAME OF THRONES and IRON SKY 2.

ALITA – BATTLE ANGEL: Raymond Chen – VFX Supervisor – DNEG

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In 2012, Raymond Chen explained the work of Rhythm & Hues on CHRONICLE. He then worked on WINTER'S TALE and then INTO THE STORM. In 2016, he joined DNEG and took care of the effects of films like STAR TREK BEYOND and THE MEG.

VELVET BUZZSAW: Aidan Fraser – VFX Supervisor – Method Studios

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Aidan Fraser began his career in the visual effects in the early 2000s. He worked in many studios like Industrial Light & Magic, Weta Digital, Laika and joined Atomic Fiction (now Method Studios) in 2013. He worked on many movies such as KING KONG, IRON MAN 2, THE WALK and STAR TREK BEYOND.

WELCOME TO MARWEN: Kevin Baillie – Overall VFX Supervisor – Method...

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In 2015, Kevin Baillie explained to us the work of Atomic Fiction (now Method Studios) on THE WALK. He then worked on STAR TREK BEYOND, ALLIED and the TV series, MANIFEST. Today he talks about his new collaboration with director Robert Zemeckis for WELCOME TO MARWEN.

DEADPOOL 2: Mike Brazelton – VFX Supervisor – DNEG

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Mike Brazelton began his visual effects career in 2000 at Asylum VFX. He then worked in various studios such as ESC Entertainment, Digital Domain and MPC before joining DNEG in 2011. He has worked on many films such as THE CURIOUS CASE OF BENJAMIN BUTTON, WATCHMEN, GODZILLA, STAR TREK BEYOND and THE MUMMY.

AVENGERS – INFINITY WAR: Patric Roos (VFX Supervisor) & Liam Russell...

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Patric Roos has 20 years of experience in visual effects. He has worked in many studios like MPC, Industrial Light & Magic and DNEG before joining Framestore in 2015. He has worked on many films such as CLASH OF THE TITANS, THE AVENGERS, STAR TREK: INTO DARKNESS, GODZILLA and GUARDIANS OF THE GALAXY VOL. 2. Liam Russell began his career in animation at Framestore in 2008. He has worked on many films such as AVATAR, 47 RONIN, GRAVITY and the two GUARDIANS OF THE GALAXY movies.

PACIFIC RIM – UPRISING: Peter Chiang – Overall VFX Supervisor –...

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In 2015, Peter Chiang explained the work of DNEG on EXODUS: GODS AND KINGS. He then worked on STAR TREK BEYOND. Today he tells us about PACIFIC RIM: UPRISING.

PACIFIC RIM – UPRISING: Jedediah Smith – Compositing Supervisor – Atomic...

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Jedediah Smith joined Atomic Fiction in 2013 to work on STAR TREK INTO DARKNESS as a compositing artist. He then works on many films such as THE WALK, DEADPOOL, ALLIED and BLADE RUNNER 2049.