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GODS OF EGYPT: Eric Durst – Overall VFX Supervisor

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After KNOWING, GODS OF EGYPT marks the second collaboration between Eric Durst and director Alex Proyas. Before that he had supervised the visual effects of a large number of movies such as BATMAN FOREVER BATMAN & ROBIN, SPIDER-MAN 2 or SNOWPIERCER.

THE HOBBIT – THE BATTLE OF THE FIVE ARMIES: Mike Cozens...

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Before joining the team of Weta Digital in 2006, Mike Cozens worked at Hybride on projects such as SIN CITY or 300. At Weta Digital, he worked on AVATAR, RISE OF THE PLANET OF THE APES or the trilogy THE HOBBIT.

THE HOBBIT – THE DESOLATION OF SMAUG: Eric Saindon – VFX...

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Last year, Eric Saindon had told us in detail about his work for THE HOBBIT - AN UNEXPECTED JOURNEY. Now, he's back for the second episode of HOBBIT.

WRATH OF THE TITANS: Gary Brozenich – VFX Supervisor – MPC

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Gary Brozenich is a CG artist for over 25 years, he joined MPC while the studio only had a dozen artists. After working on numerous commercials, he joined the film division since its creation and will be in charge of CG on TROY and KINGDOM OF HEAVEN. He will be then VFX supervisor for films like THE DA VINCI CODE, THE WOLFMAN or CLASH OF THE TITANS. It is therefore natural that he talks about his work on the CLASH sequel: WRATH OF THE TITANS.

J. EDGAR: Ollie Rankin & Geoffrey Hancock – VFX Supervisors –...

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Geoffrey Hancock has been evolving for over 10 years in visual effects, he worked at Gajdecki Visual Effects, Rainmaker and CIS Vancouver, the latter of which is now Method Studios. Geoffrey has worked on films like I Robot, VANTAGE POINT or NIGHT AT THE MUSEUM. This is his third collaboration with Clint Eastwood, he oversaw the effects of CHANGELING and INVICTUS. Ollie Rankin worked at Weta for the first two LORD OF THE RINGS and then joined the teams of MPC and has worked on films such as KINGDOM OF HEAVEN, WATCHMEN or HARRY POTTER AND THE HALF-BLOOD PRINCE. For the occasion of INVICTUS, Ollie joined CIS Vancouver.

NINJA ASSASSIN: Alessandro Cioffi – VFX Supervisor – Trixter

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Alessandro Cioffi has built his knowledge of visual effects by working in various studios in Italy, London or Germany. He participated to the compositing of such movies as 300, KINGDOM OF HEAVEAN or SWEENEY TODD. He joined the Trixter in 2007 and NINJA ASSASSIN mark its first movie as visual effects supervisor. He talks about his work on NINJA ASSASSIN and how Trixter has managed this ambitious project.

Time Bandits: Tobias Wolters (Production VFX Supervisor) with Max Serges and...

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Tobias Wolters started his journey in the world of visual effects nearly a decade ago. His portfolio includes work on projects like The Wilds,...

Atlas: Marti Romances (Co-founder & Creative Director – Territory Studio) &...

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Marti Romances has spent more than 10 years at Territory Studio, where he has worked on a wide array of projects including Ex Machina,...

Ripley: John Bowers (Production VFX Supervisor) & Joseph Servodio (Production VFX...

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With more than 16 years of experience in visual effects, John Bowers has worked on numerous projects, including Star Trek Beyond, Lovecraft Country, The...

21st Annual VES Awards: The Winners

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The Visual Effects Society has announced the winners for the 21st Annual VES Awards! Congratulations and good luck to everyone! Today, the Visual Effects Society...