One Piece - résultats de la recherche

During his last visit, Peter Chiang had explained to us his work on JOHN CARTER, he then took care of the visual effects of TOTAL RECALL and GODZILLA.

Erin Sarofsky started here career at Digital Kitchen in 2001. She has worked on titles such as MONA LISA SMILE, GHOST WHISPERER or STICK IT. In 2008, she founded her studio Sarofsky.

Charles Gibson began his career in the visual effects by working on numerous TV series. In 1987, he founded Rhythm and Hues with John Hughes, Pauline Ts'o, Keith Goldfarb, Cliff Ball and Frank Wuts. He will work there for a decade. Then he became freelance VFX Supervisor and will handle films like THE TERMINAL, the PIRATES OF THE CARIBBEAN or TERMINATOR SALVATION. He won two Oscars for best visual effects, the first on for BABE and the second for PIRATES OF THE CARIBBEAN: DEAD MAN'S CHEST.

Christian Manz had explained to us in detail the work of Framestore on 47 RONIN last year. Now he talks about his work on DRACULA UNTOLD.

Mark Breakspear explained to us the work of Method Studios for ELYSIUM on his last visit. Then he worked on ENDER'S GAME and THOR: THE DARK WORLD. Today he talks to us about his work on THE GIVER.

Nigel Denton-Howes joined Prime Focus World in 2014. Before that he worked at Image Engine, Digital Domain and Sony Pictures Imageworks. He has worked on films such as DISTRICT 9, BATTLESHIP or THE AMAZING SPIDER-MAN 2.

During his last interview, Nicolas Aithadi explained in details the work of MPC on 47 RONIN. He is back with the space opera of Marvel, GUARDIANS OF THE GALAXY.

Merzin Tavaria co-founded Prime Focus World in 1995. He began his career as an editor. He then became VFX Supervisor and now holds the position of Chief Creative Officer at Prime Focus World.

In 2012, David Sheldon-Hicks explained in details about the work of Territory Studio on PROMETHEUS. He then worked on many projects such as ZERO DARK THIRTY, FAST & FURIOUS 6 or JACK RYAN: SHADOW RECRUIT.

Kyle McCulloch is in visual effects for over 15 years. He worked in many studios such as Curious Pictures, The Orphanage or ILM. He joined Framestore in 2009 and worked on films such as HARRY POTTER AND THE Deathly HALLOWS: PART 1 or GRAVITY. Mark Wilson began his career in the VFX in 1999 at Passion Pictures. Then he joined Framestore in 2006 and worked on films like AVATAR, LINCOLN or GRAVITY.