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DREDD: Jon Thum – VFX Supervisor – Prime Focus World
Jon Thum works in visual effects for over 20 years. He worked in London, Australia and the USA. He has participated in projects like DARK CITY, THE MATRIX, PITCH BLACK or TROY. He won an Oscar for Best Visual Effects for THE MATRIX.
TOTAL RECALL: Olivier Cauwet – VFX Supervisor – BUF
Olivier Cauwet is back on The Art of VFX. After explaining the challenges for SUR LA PISTE DU MARSUPILAMI, Olivier explains his work on the remake of TOTAL RECALL.
TOTAL RECALL: Sean Farrow – VFX Supervisor – Lipsync Post
Sean Farrow worked for over 10 years in VFX. He participated in many movie projects as BATMAN BEGINS, ANGELS & DEMONS, JANE EYRE or IRONCLAD and also on TV shows like BAND OF BROTHERS, ROME or MISFITS.
TOTAL RECALL: Rudi Holzapfel – VFX Supervisor – Baseblack
For over 14 years, Rudi Holzapfel worked in many studios such as Framestore, Double Negative, MPC, Rising Sun Pictures and recently Baseblack. He has participated in numerous projects such as PITCH BLACK, TROY, BATMAN BEGINS, AVATAR, or CLASH OF THE TITANS.
TOTAL RECALL: Ash Thorp – Creative Director / Designer
Ash Thorp worked as art director and designer for many years. He has participated on films like THE TOURIST, X-MEN: FIRST CLASS, THOR, PROMETHEUS or THE AMAZING SPIDER-MAN. In the following interview, he explains the many challenges on TOTAL RECALL.
BRAVE: Claudia Chung – Simulation Supervisor – Pixar
Claudia Chung joined Pixar in 2003 to work on FINDING NEMO. She then worked on THE INCREDIBLES, RATATOUILLE and UP. In the following interview, Claudia talks about the many challenges on BRAVE and especially the hair.
BATTLESHIP: Chris Harvey – VFX Supervisor – Image Engine
After he talked about his work on TRON LEGACY, Chris Harvey then joined Image Engine and explains to us his work on BATTLESHIP.
DARK SHADOWS: Arundi Asregadoo – VFX Supervisor – MPC
Arundi Asregadoo is in visual effects for over 10 years. He worked at Framestore and then at MPC where he worked on films like TROY, X-MEN: THE LAST STAND or HARRY POTTER AND THE ORDER OF THE PHOENIX.
BATTLESHIP: Grady Cofer – VFX Supervisor – ILM
Grady Cofer is working in VFX for over 15 years. He participated in many projects at Digiscope as an Flame artist such as VOLCANO, TITANIC or GODZILLA. He then joined ILM and worked on films like PIRATES OF THE CARIBBEAN trilogy, STAR WARS EPISODE II and III as well as STAR TREK and AVATAR.
CHRONICLE: Raymond Chen – VFX Supervisor – Rhythm & Hues
Raymond Chen worked over 15 years at Rhythm & Hues. It starts as lighter on films such as BABE: PIG IN THE CITY, CATS & DOGS or X2. Then he was worked on THE FAST AND THE FURIOUS: TOKYO DRIFT as VFX supervisor and then as the same position on projects like THE GOLDEN COMPASS, NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN or HOP. In the following interview, Raymond talks about his work, including the aerial sequences of CHRONICLE.