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Trained at the Royal College of Art, Henry Hobson joined Prologue where he created the titles of many films such as SHERLOCK HOLMES, THE WALKING DEAD or THE THING. In the following interview, he discusses his work on RANGO.

John Dysktra is a pioneer in visual effects. He is responsible for the creation of Industrial Light & Magic, he has won two Best Visual Effects Academy Awards for STAR WARS and SPIDER-MAN 2. He developed also the first computer-controlled motion control system called the Dykstraflex, which earned him an Scientific and Engineering Award. Her career includes movies such as STAR TREK: THE MOTION PICTURE, FIREFOX, BATMAN FOREVER, SPIDER-MAN 1 & 2 and HANCOCK.

Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.

Yanick Wilisky worked nearly 10 years at Hybride where he participate in projects like SPY KIDS, 300 or SIN CITY. In 2007, he founded with Marc Bourbonnais, Modus FX. He supervised the effects of films as MR. NOBODY, BARNEY'S VERSION or THE AMERICAN.

Before overseeing movies, Louis Morin was a freestyle skier then began working on commercials. In 2000, he joined Buzz Image where he oversaw such films as THE AVIATOR, THE FOUNTAIN, or THE ETERNAL SUNSHINE OF THE SPOTLESS MIND. In 2006, he became freelance supervisor and supervised the VFX for films like I'M NOT THERE, THE AMERICAN or MR. NOBODY.

Ben Hibon was born in Geneva, Switzerland. In 1996, he moved to London to study at Central Saint Matins College of Art and Design. He worked later as artistic director. In 2007, he directed a miniseries for Sony based on the game HEAVENLY SWORD. In 2010, he made for Warner a segment of 3 minutes for HARRY POTTER AND THE DEATHLY HALLOW PART 1. The animation is done at Framestore.

Mat Beck began his career over 30 years. He has worked for prestigious studios like Apogee, Boss Film or Dream Quest Images. His career includes numerous films such as STAR TREK, TRUE LIES, TITANIC or VOLCANO but he also worked on many TV shows like X-FILES or SMALLVILLE. At Entity FX, he oversaw projects like SPIDER-MAN 2, FINAL DESTINATION 4 and THE SPIRIT.

Since his interview about PERCY JACKSON, Guillaume Rocheron worked on SUCKER PUNCH. In the following interview, he talks about his work on this show.

Bryan Hirota worked for nearly 20 years in visual effects. He has worked at Rhythm and Hues, CIS Hollywood and recently at Prime Focus. His career includes numerous films such as DEMOLITION MAN, ARMAGEDDON or END OF DAYS. He oversaw films like MATRIX REVOLUTIONS, ERAGON or WATCHMEN.

Jody Johnson went through all stages at Double Negative. She begins with roto and the compositing on STALINGRAD, STARDUST or SHAUN OF THE DEAD. Then compositing supervisor and finally VFX supervisor for movies like PENELOPE or BRIDGET JONES: THE EDGE OF REASON.