Leave the World Behind - résultats de la recherche

Michael Cliett launched his visual effects career over two decades ago at Zoic Studios with the film Serenity. Since then, he has contributed to...

In 2021, Chris Lawrence explained the work of the visual effects created by Framestore on The King's Man. In 2020, Arslan Elver discussed his contributions...

Back in 2020, Doug Larmour offered insights into the visual effects process for The Alienist: Angel of Darkness. Subsequently, he contributed to the visual...

In 2019, Matt Glover explained the visual effects work done by Mr. X (now MPC) on the first season of Carnival Row. He then...

Tom Turnbull has over 30 years experience in visual effects. He co-founded the studio Rocket Science VFX with Anthony Paterson in 2003. He has...

Back in 2019, Scott Edelstein explained Digital Domain's work on Avengers: Endgame. Today he returns to tell us about Free Guy. How did you and...

In 2018, Atsushi Doi told us about the work of Digital Frontier on Bleach. He is back today to tell us about his new...

At the end of last year, Jeff White explained ILM's work on AQUAMAN. David Seager began his career in visual effects in the late 1990s. He worked in many studios such as Sony Pictures Imageworks, MPC and joined ILM in 2017. He has taken care of the effects for many films such as WATCHMEN, MALEFICENT, FURIOUS SEVEN and ALADDIN. In 2017, Alex Wang explained DNEG's work on THE FATE OF THE FURIOUS. He joins ILM in 2017 and works on JURASSIC WORLD: FALLEN KINGDOM. Scott Benza is working at ILM for 22 years. He has worked on films such as TRANSFORMERS, THE AVENGERS, KONG: SKULL ISLAND, BUMBLEBEE.

In 2018, Jay Barton explained the work of Digital Domain on AQUAMAN. He talks to us today about his work on TERMINATOR: DARK FATE.

In 2015, Greg Butler told us about the work of MPC on AMERICAN SNIPER. He then worked on films like GOOSEBUMPS, THE FINEST HOURS, MONSTER TRUCKS and THE MUMMY.