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Simon Maddison had explained to us the work of Fuel VFX on COWBOYS & ALIENS and THE AVENGERS. Now he talks about his work on IRON MAN 3.

Paul Butterworth has worked at Animal Logic in 1993 as compositing artist and later became the first Australian VFX supervisor! He also directed numerous commercials and do a lot of matte paintings. In 1998, he oversee 1300 shots in 8 months for the TV series FARSCAPE. In 2000, he founded with Dave Morley, Andrew Hellen, Simon Maddison and Jason Bath, the studio Fuel VFX. He oversaw the effects of X-MEN ORIGINS: WOLVERINE and is currently working on Ridley Scott's PROMETHEUS. In the following interview, he talks about his work on THOR.

Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.

Back in 2012, John Moffat shared insights into DNEG's visual effects for Snow White and the Huntsman. Since then, he has overseen the visual...

Brace yourself for The Electric State! The Russo Brothers (Avengers: Endgame) bring to life a spectacular story set in a mesmerizing retro-futuristic version of...

In 2015, Ben Snow discussed ILM's involvement in Avengers: Age of Ultron with us. He later went on to work on films such as...

For over 25 years, Swen Gillberg has been a key figure in the world of visual effects, working on blockbuster films like Furious 7,...

Marti Romances has spent more than 10 years at Territory Studio, where he has worked on a wide array of projects including Ex Machina,...

Kris Sundberg and Lynzi Grant have collaborated for the past 6 years on Extraction, Spiderhead, and Hocus Pocus 2. Today they share their latest project:...

Stephen Unterfranz has dedicated more than 25 years to the visual effects industry, collaborating with studios such as Blue Sky Studios, Tippett Studio, and...