One Piece - résultats de la recherche

Anders Langlands is working at MPC since 2004. Has participated in such films as HARRY POTTER AND THE PRISONER OF AZKABAN, CHARLIE AND THE CHOCOLATE FACTORY, 10,000 BC and CLASH OF THE TITANS.

John Dysktra is a pioneer in visual effects. He is responsible for the creation of Industrial Light & Magic, he has won two Best Visual Effects Academy Awards for STAR WARS and SPIDER-MAN 2. He developed also the first computer-controlled motion control system called the Dykstraflex, which earned him an Scientific and Engineering Award. Her career includes movies such as STAR TREK: THE MOTION PICTURE, FIREFOX, BATMAN FOREVER, SPIDER-MAN 1 & 2 and HANCOCK.

After he has discussed about his work on THE GREEN HORNET, Greg Oehler is back on The Art of VFX and explains his work on the new Jack Sparrow adventure, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES.

François Ferracci has worked for 10 years as a graphic designer and has created many film credits as FROM PARIS WITH LOVE or Sheitan. He founded Pik.sel with David Goldenberg.

Vincent Cirelli and his team are back on The Art of VFX. This time, they talk about their work on THOR.

Yanick Wilisky worked nearly 10 years at Hybride where he participate in projects like SPY KIDS, 300 or SIN CITY. In 2007, he founded with Marc Bourbonnais, Modus FX. He supervised the effects of films as MR. NOBODY, BARNEY'S VERSION or THE AMERICAN.

Before overseeing movies, Louis Morin was a freestyle skier then began working on commercials. In 2000, he joined Buzz Image where he oversaw such films as THE AVIATOR, THE FOUNTAIN, or THE ETERNAL SUNSHINE OF THE SPOTLESS MIND. In 2006, he became freelance supervisor and supervised the VFX for films like I'M NOT THERE, THE AMERICAN or MR. NOBODY.

Derek Spears begins his career in 1994, the movie LITTLE NICKY marks his debut as VFX Supervisor at Rhythm & Hues, since then he has oversees the effects of films such as THE SUM OF ALL FEARS, DAREDEVIL, SUPERMAN RETURNS, or THE MUMMY 3. In the following interview, he discusses his work on RED RIDING HOOD.

Working since 1995 at BUF Company, Geoffrey Niquet has participated in projects such as BATMAN & ROBIN, FIGHT CLUB or THE CELL. It becomes VFX supervisor in 2004 on ATOMIK CIRCUS and has since overseen the effects of films such as SPEED RACER or THE EXTRAORDINARY ADVENTURES OF ADELE BLANC-SEC.

Mat Beck began his career over 30 years. He has worked for prestigious studios like Apogee, Boss Film or Dream Quest Images. His career includes numerous films such as STAR TREK, TRUE LIES, TITANIC or VOLCANO but he also worked on many TV shows like X-FILES or SMALLVILLE. At Entity FX, he oversaw projects like SPIDER-MAN 2, FINAL DESTINATION 4 and THE SPIRIT.