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ATTRACTION: Arman Yahin (CEO), Andrey Maximov & Dmitry Kuznetsov (VFX supervisors)...
The team of Main Road Post, composed of Arman Yahin (CEO) and the VFX Supervisors Andrey Maximov and Dmitry Kuznetsov, talks in detail about their great work on ATTRACTION.
KING ARTHUR – LEGEND OF THE SWORD: Christian Kaestner & Stuart...
A few weeks ago, Christian Kaestner and Stuart Penn had explained to us the work of Framestore on ALIEN: COVENANT. They are back today to tell us about Guy Ritchie's new film, KING ARTHUR: LEGEND OF THE SWORD.
GHOST IN THE SHELL: Axel Bonami – VFX Supervisor – MPC
Axel Bonami began his career in the VFX in Paris in 2001 at Duran to work on THE NEST and IMMORTAL (AD VITAM). In 2006, he joined Duboi to work on L'AUBERE ROUGE and ASTERIX AT THE OLYMPIC GAMES. In 2008, he joined MPC and worked on numerous projects such as ROBIN HOOD, DARK SHADOWS, GODZILLA and X-MEN: APOCALYPSE.
Best of 2016 and the expectations for 2017
This month of February marks a new year for The Art of VFX and is also the Awards season.
The last year was rich of...
DOCTOR STRANGE: Stephane Ceretti – Production VFX Supervisor
Stephane Ceretti explained to us in details about his colossal work on GUARDIANS OF THE GALAXY in 2014. Today he talks about the many challenges encountered on DOCTOR STRANGE.
MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN: Jelmer Boskma – VFX Supervisor...
Jelmer Boskma worked in many studios such as Frantic Films, Image Engine or MPC before joining Scanline VFX in 2015. His filmography includes films like WATCHMEN, DISTRICT 9, SIN CITY: A DAME TO KILL FOR or BATMAN V SUPERMAN: DAWN OF JUSTICE.
DEADPOOL: Alex Wang – VFX Supervisor – Digital Domain
Alex Wang started his career in the visual effects at The Orphanage on THE DAY AFTER TOMORROW. He worked on many projects before joining ImageMovers Digital for THE CHRISTMAS CAROL and MARS NEEDS MOMS. In 2010, Alex joined Digital Domain for TRON LEGACY and then worked on TRANFORMERS: DARK OF THE MOON, JACK THE GIANT SLAYER and FURIOUS 7.
THE MARTIAN: Neil Weatherley – CG Supervisor – Framestore
Neil Weatherley joined Framestore in 2001, he began as assistant technical director and became CG supervisor in 2014 on EDGE OF TOMORROW and PADDINGTON. He worked on many projects such as CHARLIE AND THE CHOCOLATE FACTORY, CHILDREN OF MEN, THE GOLDEN COMPASS or THE DARK KNIGHT.
THE MARTIAN: Richard Stammers – Production VFX Supervisor
In 2014, Richard Stammers had explained to us his work on X-MEN: DAYS OF FUTURE PAST. He now talks about his new collaboration with Ridley Scott for his film THE MARTIAN.
THE WALK: Kevin Baillie – Overall VFX Supervisor – Atomic Fiction
During his last visit, Kevin Baillie talked about the work of Atomic Fiction on STAR TREK INTO DARKNESS. He then worked on NEED FOR SPEED and TRANSFORMERS: AGE OF EXTINCTION. He then takes of the effects supervision of the new film by Robert Zemeckis, THE WALK and opens at this occasion an Atomic Fiction office in Montreal.