His Dark Materials - search results

In 2014, Simon Stanley-Clamp had explained to us the work of Cinesite on HERCULES. He then worked on many films such as ANT-MAN, THE REVENANT, CAPTAIN AMERICA: CIVIL WAR and ROBIN HOOD.

In 2016, Steve Emerson explained Laika's work on KUBO AND THE TWO STRINGS. He talks to us today about MISSING LINK.

John Heller started his career in visual effects more than 20 years ago. He has worked in many studios like VIFX, Rhythm & Hues, Furious Effects and then he joined FuseFX in 2015. As a VFX Supervisor, he took care of the effects of projects such as RUSH HOUR, OUTSIDERS, THE LAST TYCOON and THE GOOD DOCTOR.

In 2016, Jeff White explained the work of ILM on WARCRAFT. He then worked on KONG: SKULL ISLAND. Cedric Lo began his career in visual effects in the early 2000s. He worked on many films such as TRANSFORMERS: DARK OF THE MOON, PACIFIC RIM, CAPTAIN AMERICA: CIVIL WAR and WARCRAFT.

Sean Konrad began his career in visual effects in 2000. He worked in several studios like Prime Focus, Zoic Studios and MPC before joining Method Studios in 2016. He worked on films such as TRON: LEGACY, GODZILLA, GUARDIANS OF THE GALAXY and JUSTICE LEAGUE. John Likens began his career in motion design 10 years ago. He works in many agencies like Perception NYC, The Mill and Blind before joining Method Studios in 2014.

In 2016, Andrew Morley explained the work of Cinesite on FANTASTIC BEASTS AND WHERE TO FIND THEM. He talks to us today about his work on AVENGERS: INFINITY WAR.

Graham Page began his visual effects career in 2006 at DNEG. He has worked on many projects such as THE DARK KNIGHT, INCEPTION, INTERSTELLAR and ASSASSIN'S CREED.

Patric Roos has 20 years of experience in visual effects. He has worked in many studios like MPC, Industrial Light & Magic and DNEG before joining Framestore in 2015. He has worked on many films such as CLASH OF THE TITANS, THE AVENGERS, STAR TREK: INTO DARKNESS, GODZILLA and GUARDIANS OF THE GALAXY VOL. 2. Liam Russell began his career in animation at Framestore in 2008. He has worked on many films such as AVATAR, 47 RONIN, GRAVITY and the two GUARDIANS OF THE GALAXY movies.

Steve Moncur began his career in the visual effects in 2003 at MPC. He then worked at Baseblack and Cinesite before joining DNEG TV in 2016. He has worked on many films such as KINGDOM OF HEAVEN, POSEIDON, 10'000 BC, KINGSMAN: THE SECRET SERVICE and FANTASTIC BEASTS AND WHERE TO FIND THEM.

After working for several years in various agencies and as freelance, Peter Eszenyi joined Territory Studio in 2012. He works on many projects such as GUARDIANS OF THE GALAXY, EX MACHINA, GHOST IN THE SHELL and BLADE RUNNER 2049.