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CLOUD ATLAS: Florian Gellinger – VFX Supervisor – RISE

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Florian Gellinger is in the visual effects for over 10 years. In 2007, he founded RISE with three friends and supervised numerous projects such as THIS IS LOVE, NINJA ASSASSIN or X-MEN: FIRST CLASS. In the following interview, he talks about his work on CLOUD ATLAS.

ANNA KARENINA: Dominic Parker & Tom Debenham – Founders & VFX...

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Prior to founding One Of Us with Rachael Penfold in 2006, Tom Debenham and Dominic Parker worked at Framestore for many years. They participated in projects like MISSION IMPOSSIBLE II, CHICKEN RUN or RESIDENT EVIL. At One of Us, they have been working on THE TREE OF LIFE or MIRROR MIRROR.

GRABBERS: Paddy Eason – VFX Supervisor – Nvizible

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Paddy Eason has been evolving for over 20 years in VFX. He worked for many studios such as Framestore, MPC or Rainmaker and participated in projects like MISSION IMPOSSIBLE, BIG FISH, THE GOLDEN COMPASS or PRINCE OF PERSIA: THE SANDS OF TIME. In 2009, he founded Nvizible.

SKYFALL: Lara Lom – Senior VFX Coordinator – MPC

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Lara Lom began her VFX career at Pixomondo and worked on the films FAST FIVE and HUGO. She then joined MPC in 2012 and participated in numerous projects such as DARK SHADOWS, TOTAL RECALL and PROMETHEUS.

SKYFALL: Jon Neill – VFX Supervisor – Cinesite

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Jon Neill joined Cinesite more than 15 years ago. He has worked on many projects such as EVENT HORIZON, LOST IN SPACE, THE HITCHHIKER'S GUIDE TO THE GALAXY or HARRY POTTER AND THE ORDER OF THE PHOENIX. As VFX supervisor, he took care of JOHN CARTER.

END OF WATCH: Adam Avitabile – VFX Supervisor – Look Effects

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Adam Avitabile has explained to us the visual effects of Look Effects on the season finale of LOST. Then he worked on projects like LIMITLESS, FAST FIVE or THE MUPPETS.

SKYFALL: Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin...

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Hugh Macdonald (VFX Supervisor), Paddy Eason (VFX Supervisor) and Martin Chamney (CG Supervisor) and two others founded the studio Nvizible in 2009. Nvizible worked on numerous projects as CLASH OF THE TITANS, PRINCE OF PERSIA: THE SANDS OF TIME, JOHN CARTER or GRABBERS.

TED: Blair Clark – Production VFX Supervisor – Tippett Studio

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Since he explained the effects of Tippett Studio on SEASON OF THE WITCH, Blair Clark worked on films like PRIEST and THE SMURFS.

LOOPER: Michel Mielke – VFX Supervisor – Scanline VFX

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When Michel Mielke joined Scanline in 2004, he first worked as a producer on such films as THE CHRONICLES OF NARNIA: PRINCE CASPIAN, 2012, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES or THE AVENGERS. In the following interview, he talks about his work as VFX Supervisor on LOOPER.

LOOPER: Karen Goulekas – Production VFX Supervisor

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Karen Goulekas is back on The Art of VFX. In the following interview, she explains her collaboration with director Rian Johnson and the various challenges she encountered on this project.