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BATTLESHIP: Chris Harvey – VFX Supervisor – Image Engine
After he talked about his work on TRON LEGACY, Chris Harvey then joined Image Engine and explains to us his work on BATTLESHIP.
COSMOPOLIS: James Cooper – Lead Compositor – Mr. X
James Cooper has worked in several studios including Topix and Spin VFX before joining Mr. X. He has participated in films like RESIDENT EVIL: AFTERLIFE, HANNA or THE THREE MUSKETEERS.
SNOW WHITE AND THE HUNTSMAN: Bryan Hirota – VFX Supervisor –...
Since its passage in The Art of VFX for SUCKER PUNCH, Bryan Hirota worked on TREE OF LIFE and then joined Pixomondo to oversee the effects of films such as GREEN LANTERN, JOURNEY 2: THE MYSTERIOUS ISLAND and WRATH OF THE TITANS.
PROMETHEUS: Martin Hill – VFX Supervisor – Weta Digital
Martin Hill began his career in VFX at Double Negative, where he worked on films like BELOW, THE CHRONICLES OF RIDDICK or BATMAN BEGINS. He then joined Weta Digital for KING KONG. He worked on many projects like ERAGON, AVATAR, RISE OF THE PLANET OF THE APES or THE ADVENTURES OF TINTIN.
DARK SHADOWS: Christophe Dupuis – VFX Supervisor VFX – Buf
Chrisophe Dupuis joined BUF in 1995. He has worked on many projects such as BATMAN & ROBIN, FIGHT CLUB or SPEED RACER.
THE AVENGERS: Simon Maddison – VFX Supervisor – Fuel VFX
Simon Maddison is back on The Art of VFX. After he discuss the effects of Fuel VFX on COWBOYS & ALIENS, now he explains his work on THE AVENGERS.
Imaging the Future 2012: the VFX speakers
The Imaging the Future program has just been announced!
Do not miss the July 11th conferences with the presence of Cinesite, MPC and Double Negative who will speak about JOHN CARTER. And the will be also the masterclass with Michael Fink.
DARK SHADOWS: Mark Breakspear – VFX Supervisor – Method Studios
Mark Breakspear has worked for over 20 years in visual effects for studios such as Digital Muse, Rainmaker or CIS Vancouver. He participated in many TV series like STAR TREK VOYAGER or STARGATE ATLANTIS as well as films like THE DA VINCI CODE, LIVE FREE OR DIE HARD, SALT or THE GREEN HORNET.
BATTLESHIP: Paul Mitchell – Creative Director – Prologue Films
Paul Mitchell has worked 13 years at the BBC as a design director. In 2007, he joined Prologue Films and worked on numerous commercials and movie title such as IRON MAN 2 as Creative Director. He explains the challenges in this adaptation of the board game Battleship.
DARK SHADOWS: Arundi Asregadoo – VFX Supervisor – MPC
Arundi Asregadoo is in visual effects for over 10 years. He worked at Framestore and then at MPC where he worked on films like TROY, X-MEN: THE LAST STAND or HARRY POTTER AND THE ORDER OF THE PHOENIX.